Camera Work: A Photographic Quarterly (1913 (Heft 42-43))

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Camera Work: A Photographic Quarterly — 1913 (Heft 42-43)

DOI article:

[Eduard J. [Jean] Steichen, X. The Photographers’ Best Model—G. [George] Bernard Shaw, photogravure from original negative]

https://doi.org/10.11588/diglit.31249.30

DOI Page / Citation link:

https://doi.org/10.11588/diglit.31249#0063

License: Camera Work Online: Free access – no reuse

[a] Camera Work: A Photographic Quarterly [cover recto]
[1] [Editors] Camera Work [masthead]
[3] Eduard J. [Jean] Steichen [list of plates]
[4a] [Eduard J. [Jean] Steichen, I. Vitality—Yvette Guilbert, photogravure from original negative]
[6a] [Eduard J. [Jean] Steichen, II. Isadora Duncan, photogravure from original negative]
[8a] [Eduard J. [Jean] Steichen, III. Cyclamen—Mrs. Philip Lydig, photogravure from original negative]
Marius De Zayas, Photography and Artistic-Photography
Mary Steichen, The Skylark
Benjamin De Casseres, Insincerity: A New Vice
P. [Paul] B. [Burty] Haviland, Notes on “291”
- Water-Colors by John Marin [incl. reprint from Photo-Secession Gallery, Marin Exhibition, 1913 by John Marin]
- International Exhibition of Modern Art
- Photographs by Alfred Stieglitz
- Exhibition of New York Studies by Francis Picabia [incl. reprint from Photo-Secession Gallery, March, 1913 by Francis Picabia]
- Exhibition Marius De Zayas [incl. reprint from Photo-Secession Gallery, De Zayas Exhibition, 1913 by Marius De Zayas]
- Arthur Hoeber in the “N.Y. Globe”
- J. Edgar Chamberlin in the “N.Y. Mail”
- Samuel Swift in the “N.Y. Sun”
- W.B. McCormick in the “N.Y. Press”
- Mr. Boswell in the “N.Y. Herald”
- Royal Cortissoz in the “N.Y. Tribune”
- Forbes Watson in the “N. Y. Evening Post”
[26a] Errata: Plate VIII. Henry W. Taft Should Read William H. Taft [unsigned]
[27] Eduard J. [Jean] Steichen [list of plates]
[28a] [Eduard J. [Jean] Steichen, V. Anatole France, photogravure from original negative]
[30a] [Eduard J. [Jean] Steichen, VI. Henri Matisse, photogravure from original negative]
[32a] [Eduard J. [Jean] Steichen, VII. The Man that Resembles Erasmus, photogravure from original negative]
[34a] [Eduard J. [Jean] Steichen, VIII. Henry W. Taft [William H. Taft], photogravure from original negative]
[36a] [Eduard J. [Jean] Steichen, IX. E. [Edward] Gordon Craig, photogravure from original negative]
[38a] [Eduard J. [Jean] Steichen, X. The Photographers’ Best Model—G. [George] Bernard Shaw, photogravure from original negative]
41-54 [P. [Paul] B. [Burty] Haviland, Notes on “291”, continued from p. 26]
- [Forbes Watson in the N. Y. Evening Post, continued from p. 26]
- J. [John] N. [Nilsen] Laurvik in the Boston Transcript
- Charles H. [Henry] Caffin in the N.Y. American
- Hutchins Hapgood in an Article “Art and Unrest” in the N.Y. Globe
- Hutchins Hapgood, “The Picture Show” in the N.Y. Globe
- Samuel Swift under the Title of “Art Photographs and Cubist Painting”, in the N.Y. Sun
- J. Edgar Chamberlin in the N.Y. Mail
- Royal Cortissoz in the N.Y. Tribune
- Arthur Hoeber in the N.Y. Globe
- Samuel Swift in the N.Y. Sun
- Forbes Watson in the N.Y. Evening Post
- Hutchins Hapgood in an Article, A Paris Painter, in the N.Y. Globe
- Wm. B. McCormick in the N.Y. Press
- J. Edgar Chamberlin in the N.Y. Mail
- Royal Cortissoz in the N.Y. Tribune
- Charles H. [Henry] Caffin in the N.Y. American
- Samuel Swift in the N.Y. Sun
- Mr. R. Du Bois in Arts and Decoration
[55] Eduard J. [Jean] Steichen [list of plates]
[56a] [Eduard J. [Jean] Steichen, XI. Steeplechase Day, Paris: After the Races, duogravure from original gum print]
[58a] [Eduard J. [Jean] Steichen, XII. Steeplechase Day, Paris: Grand Stand, duogravure from original gum print]
[61] [Eduard J. [Jean] Steichen, XIII. Nocturne—Orangerie Staircase, Versailles, duogravure from original gum print]
[62a] [Eduard J. [Jean] Steichen, XIV. Late Afternoon—Venice, duogravure from original gum print]
65 [P. [Paul] B. [Burty] Haviland, Notes on “291”, continued from p. 54]
- [Mr. R. Du Bois in Arts and Decoration, continued from p. 54]
Definitive Recognition of Pictorial Photography [unsigned]
67 [Editors] Editorial Note
[Editors] Our Plates
John Weichsel, Cosmism or Amorphism?
[83] Eduard J. [Jean] Steichen [list of plates]
[84a] [Eduard J. [Jean] Steichen, XV. Nocturne—Hydrangea Terrace, Chateaux Ledoux, color halftone reproduction of painting]
[86a] [Eduard J. [Jean] Steichen, XVI. Autumnal Afternoon—The Poplars, Voulangis, color halftone reproduction of painting]
[88a] [Eduard J. Steichen, XVII. The Lotus Screen: S.S.S., color halftone reproduction]
[93-111] [Advertisements]
- Nepera Division, Eastman Kodak Company [Velox Paper]
- Eastman Kodak Company [Eastman Permanent Crystal Pyro]
- Eastman Kodak Company [Vest Pocket Kodak Special Camera]
- Folmer & Schwing Division, Eastman Kodak Company [1A Graflex Camera]
- Chas. [Charles] M. [Michael] Higgins & Co. [Higgins’ Photo Mounter]
- Geo [George] F. [Ferdinand] Of [Frames]
- John Royle & Sons [Royle Machines]
- Rochester Optical Division, Eastman Kodak Co. [Premoette Jr. No. 1A Special Camera]
- Allison & Hadaway [Photographic Services]
- Pinkham & Smith Company [Semi-Achromatic Lenses]
- Eastman Kodak Company [Kodak Film Tank]
- Ansco Company [Cyko Printing Paper]
- [102] Rogers & Company [Illustrated Catalogues and Booklets]
- The Manhattan Photogravure Company [Art Reproductions]
- Otto Knoll [Bindings for Camera Work]
- The Seymour Company [Artistic Papers]
- Herbert & Huesgen Co. [Paget’s New Color Photography]
- [Are You Interested in the Deeper Meaning of Photography?, unsigned and untitled announcement for Camera Work]
- [Editors] To Our Readers
- [Editors] [The Advertising Pages of Camera Work]
- Seed Dry Plate Division, Eastman Kodak Company [Seed Gilt Edge 30 Plates]
- C. [Carl] P. [Paul] Goerz American Optical Co. [Goerz Lenses]
- F. Bruckmann [Printing Plates]
[bb] Eastman Kodak Company [Eastman Portrait Films, back cover verso]
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