Camera Work: A Photographic Quarterly — 1913 (Heft 42-43)
Zitieren dieser Seite
Bitte zitieren Sie diese Seite, indem Sie folgende Adresse (URL)/folgende DOI benutzen:
https://doi.org/10.11588/diglit.31249#0138
DOI Heft:
[Advertisements]
DOI Artikel:Eastman Kodak Company [Kodak Film Tank]
DOI Seite / Zitierlink: https://doi.org/10.11588/diglit.31249#0138
- [4a] [Eduard J. [Jean] Steichen, I. Vitality—Yvette Guilbert, photogravure from original negative]
- [6a] [Eduard J. [Jean] Steichen, II. Isadora Duncan, photogravure from original negative]
- [8a] [Eduard J. [Jean] Steichen, III. Cyclamen—Mrs. Philip Lydig, photogravure from original negative]
-
- [28a] [Eduard J. [Jean] Steichen, V. Anatole France, photogravure from original negative]
- [30a] [Eduard J. [Jean] Steichen, VI. Henri Matisse, photogravure from original negative]
- [32a] [Eduard J. [Jean] Steichen, VII. The Man that Resembles Erasmus, photogravure from original negative]
- [34a] [Eduard J. [Jean] Steichen, VIII. Henry W. Taft [William H. Taft], photogravure from original negative]
- [36a] [Eduard J. [Jean] Steichen, IX. E. [Edward] Gordon Craig, photogravure from original negative]
- [38a] [Eduard J. [Jean] Steichen, X. The Photographers’ Best Model—G. [George] Bernard Shaw, photogravure from original negative]
-
- [56a] [Eduard J. [Jean] Steichen, XI. Steeplechase Day, Paris: After the Races, duogravure from original gum print]
- [58a] [Eduard J. [Jean] Steichen, XII. Steeplechase Day, Paris: Grand Stand, duogravure from original gum print]
- [61] [Eduard J. [Jean] Steichen, XIII. Nocturne—Orangerie Staircase, Versailles, duogravure from original gum print]
- [62a] [Eduard J. [Jean] Steichen, XIV. Late Afternoon—Venice, duogravure from original gum print]
-
- [84a] [Eduard J. [Jean] Steichen, XV. Nocturne—Hydrangea Terrace, Chateaux Ledoux, color halftone reproduction of painting]
- [86a] [Eduard J. [Jean] Steichen, XVI. Autumnal Afternoon—The Poplars, Voulangis, color halftone reproduction of painting]
- [88a] [Eduard J. Steichen, XVII. The Lotus Screen: S.S.S., color halftone reproduction]
-
Für diese Seite ist auch eine manuell angefertigte Transkription bzw. Edition verfügbar. Bitte wechseln Sie dafür zum Reiter "Transkription" oder "Edition".
The best of every exposure in every roll of film
is assured when you use a
KODAK FILM TANK
The principle is right, the chemicals are correct,
the results are certain.
The Experience is in the 'Tank.
EASTMAN KODAK COMPANY,
ROCHESTER, N. Y.
All Dealers.