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Cook, Arthur B.
Zeus: a study in ancient religion (Band 1): Zeus god of the bright sky — Cambridge, 1914

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https://doi.org/10.11588/diglit.14695#0544

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466 The Myth of Pasiphae

the remaining parts were those of a man. Minos in accordance with certain
oracles shut him up in the Labyrinth and guarded him there. The Labyrinth

Fig- 323-

between (a) and (b). But Sir Cecil Smith in the Joum. Hell. Stud. 1890 xi. 349 justly
objects that 'in late r. f. kylikes such a relation of subject between the exterior and
interior is rare; the usual practice being to have in the interior a definite subject, and to
leave the exterior for meaningless athlete subjects or Bacchic subjects, as here; if these
exterior scenes have any mythical significance, it is to the Pentheus rather than to the
Zagreus legend. In any case the epithets ravpoKepus, &c, applied to Dionysos are not
sufficient to warrant us in identifying a definite Minotaur type with Zagreus; especially
as on the one other distinct Zagreus scene (Mtiller—Wieseler, Denkm. ii. No. 413; see
Heydemann, Dionysos-Geburt, p. 55) [cp. Brit. Mus. Cat. Vases iii. 188 no. E 246 the
hydria under discussion] he is represented as an ordinary human child.' In common,
therefore, with Sir Cecil Smith and others (T. Panofka in the Arch. Zeit. 1837 Anz.
p. 22*, E. Braun in the Bull. d. Inst. 1847 p. 121, J. de Witte in the Arch. Zeit. 1850
Anz. p. 213*, H. B. Walters History of Ancient Pottery London 1905 ii. 148) I take the
scene here figured to be Pasiphae with the infant Minotaur. The basket and goose
merely indicate the gynaikonitis.
 
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