Zeus Errhos
263
dancing-ground (ib. nos. 784/785 b 'Apx^S[a]/j.os ho Qep\a?os ko.1 xop0" ^P\x(a"r^] Ni>0£u
^X\coiK[oS6]iJ.eaei' = a sixth foot plus the first half of a hexameter plus a complete hexa-
meter). The date of Archedemos is uncertain. C. H. Weller places him c. 400 B.C. But
his vagaries of dialect, lettering, and metre seem tome to indicate a much later (Hadrianic?)
Period, when archaisms were in fashion.
Fig. 176.
Cl't effi^'11011 to lIle d^ies already mentioned there was the seated goddess, whose rock-
l«e Sec^ and omphalSs are still to be seen at the point marked /S on the plan (fig. 174- Cp.
and T °nal ^rawing in fig. 175). Her headless torso has been twice portrayed (E. Curtius
A- Kaupert Atlas von Allien Berlin 1878 p. 30 pi. 8, 1 sketch by F. Adler
263
dancing-ground (ib. nos. 784/785 b 'Apx^S[a]/j.os ho Qep\a?os ko.1 xop0" ^P\x(a"r^] Ni>0£u
^X\coiK[oS6]iJ.eaei' = a sixth foot plus the first half of a hexameter plus a complete hexa-
meter). The date of Archedemos is uncertain. C. H. Weller places him c. 400 B.C. But
his vagaries of dialect, lettering, and metre seem tome to indicate a much later (Hadrianic?)
Period, when archaisms were in fashion.
Fig. 176.
Cl't effi^'11011 to lIle d^ies already mentioned there was the seated goddess, whose rock-
l«e Sec^ and omphalSs are still to be seen at the point marked /S on the plan (fig. 174- Cp.
and T °nal ^rawing in fig. 175). Her headless torso has been twice portrayed (E. Curtius
A- Kaupert Atlas von Allien Berlin 1878 p. 30 pi. 8, 1 sketch by F. Adler