DOI Page / Citation link:
https://doi.org/10.11588/diglit.30696#0095
Without Datei]
HORACE.
35
says—‘ Sed iam ad poetse uersus transeamus.’ The ensuing leaves, to
the end of tlie Connnentary, are numbered at bottom; and on the
recto of the Illd, the text begins thus—surrounded by illustration—
ECENAS ATAVIS AEDI
TE REGIBVS.
—but this verse is before printed, ‘ MECENAS ATAVIS EDITE
REGIBVSa variation somevvhat sudden, though not unusual. A
busy scribe or student of the xvith century has struck his pen through
the A of the AEDITE, in the text. On the recto of fol. cclxv, we
read the following conclusion and imprint:
Christophori lanclini florentini in. Q. Hora
tii fiacci opera omnia interpretatio
num finis diuino auxilio felix.
Impressum per Antonium miscominum flo
rentias Anno salutis. M.CCCCLXXXII.
Nonis augusti.
On the reverse of this leaf, and on the recto of the following and
last leaf, is a table of errors. Count Reviczky has well observed, in a
ms. note, that this impression does not yield in beauty to books of
modern date. The Commentary is uniformly in a smaller Roman
type than the t.ext. This copy is bound in red morocco.
266. Horatius. De Arte Poetica. TVithout
Date, Place, or Name of Printer. Quarto.
This impression is bound with an edition of the epigrams of Balbus;
and seems to be different from any of those dateless ones, mentioned
by Panzer, vol. i. p. 505. It begins thus on the recto of the first leaf:
OSuinti Kjcratii jflatci tie arte
gcetica ati j>i£one£ lifcer
tnimano tapiti ceruieem pictor equinam
SJungere £i fcelit: et hariaO intiucere pluma^
ttttntiigs cdlatijS mcmhric: ht turpiter atrttm
j£e£inat in piocem mulier formooa pupcrne:
HORACE.
35
says—‘ Sed iam ad poetse uersus transeamus.’ The ensuing leaves, to
the end of tlie Connnentary, are numbered at bottom; and on the
recto of the Illd, the text begins thus—surrounded by illustration—
ECENAS ATAVIS AEDI
TE REGIBVS.
—but this verse is before printed, ‘ MECENAS ATAVIS EDITE
REGIBVSa variation somevvhat sudden, though not unusual. A
busy scribe or student of the xvith century has struck his pen through
the A of the AEDITE, in the text. On the recto of fol. cclxv, we
read the following conclusion and imprint:
Christophori lanclini florentini in. Q. Hora
tii fiacci opera omnia interpretatio
num finis diuino auxilio felix.
Impressum per Antonium miscominum flo
rentias Anno salutis. M.CCCCLXXXII.
Nonis augusti.
On the reverse of this leaf, and on the recto of the following and
last leaf, is a table of errors. Count Reviczky has well observed, in a
ms. note, that this impression does not yield in beauty to books of
modern date. The Commentary is uniformly in a smaller Roman
type than the t.ext. This copy is bound in red morocco.
266. Horatius. De Arte Poetica. TVithout
Date, Place, or Name of Printer. Quarto.
This impression is bound with an edition of the epigrams of Balbus;
and seems to be different from any of those dateless ones, mentioned
by Panzer, vol. i. p. 505. It begins thus on the recto of the first leaf:
OSuinti Kjcratii jflatci tie arte
gcetica ati j>i£one£ lifcer
tnimano tapiti ceruieem pictor equinam
SJungere £i fcelit: et hariaO intiucere pluma^
ttttntiigs cdlatijS mcmhric: ht turpiter atrttm
j£e£inat in piocem mulier formooa pupcrne: