DOI Page / Citation link:
https://doi.org/10.11588/diglit.31854#0015
BIBLIOGRAPIHE CRITIQL'E DE LUCAS CRANACH
9
Woltmaan (Alfred), Geschichte der deutschen Kunst i?i Elsass.
Leipzig', 1876 (Preface, 1875), in-8, p. 259).
Woltmann was tlie first to attribute these pictures to « the Saxon school,
connected with Granach ». He maintainedthe same opinion in his articles
on Grunewald in Dohme’s « Kunst und Kiinstler » and the « Allg’emeine
Deutsche Biographie ».
Eisenmann (Oscar), Lucas Cranach (Dohme, Kunst und Kiinstler,
I Band. Leipzig-, 1877, in-8, p. 35).
Eisenmann introduced the expression « Pseudo-Grunewald », regarding
this supposed artist as Cranach's teacher or fellow-pupil.
Woltmann (Alfred) und ’Woermann (Karl), Geschichte der Malerei,
II, pp. 419-20 (1881). Eng'lish translation, vol. II. London, 1887,
in-8, p. 166.
The pictures are attributed to Granach and his school.
Niedermayer (Friedrich), Ist die Annalime eines Pseudogrunewald
gerechtfertigt? (Kunstchronik, 1882, XVII. Sp. 129).
The first publication of the documents about « Master Simon » of
Aschaffenburg, henceforth identified by the writer with the « Pseudo-
Griinewald ». See also Kunstchronik XVII Sp. 201 (Woermann). Sp.
365 (Niedermayer), and Repertorium f. Kunstw, VII 253 (Niedermayer).
Janitschek (Hubert), Geschiclite der Deutschen Malerei. Berlin,
1890, in-8, p. 396.
Niedermayer's view is adopted, with modifications, some of the pic-
tures being attributed to another painter, more strongly inlluenced by
Granach.
ILallisches Heiligthumshuch vom .Jalire 15110 (Nr. XIII cler Lieb-
haber-Bibliothek alter Illustratoren in Facsimile-Reproduction).
Hirth, Munchen nndLeipzig, 1889. in-8. Prefaceby Richard Muther.
Facsimile of a selection of the woodcuts in the book of tliis name, part
of which are by an artist of the school of Cranach and are closely connec-
ted with the « Pseudo-Griinewald » pictures.
Terey (Gabriel von), Cardinal Alhrecht von Brandenhurg und
das Hallesche Heiligthumshuchvon 15 u20. Strassburg, 1892, in-8.
A book dealing with works, other than oil-paintings, attributed to the
« Pseudo-Griinewald » ; viz. the « Halle’sche Domschatz », a M. S. with
miniatures at Aschaffenburg, and Ihe Heiligthumsbuch of 1520, with
woodcuts partly by an artist alliecl to Cranach, partly by Wolf Traut,
9
Woltmaan (Alfred), Geschichte der deutschen Kunst i?i Elsass.
Leipzig', 1876 (Preface, 1875), in-8, p. 259).
Woltmann was tlie first to attribute these pictures to « the Saxon school,
connected with Granach ». He maintainedthe same opinion in his articles
on Grunewald in Dohme’s « Kunst und Kiinstler » and the « Allg’emeine
Deutsche Biographie ».
Eisenmann (Oscar), Lucas Cranach (Dohme, Kunst und Kiinstler,
I Band. Leipzig-, 1877, in-8, p. 35).
Eisenmann introduced the expression « Pseudo-Grunewald », regarding
this supposed artist as Cranach's teacher or fellow-pupil.
Woltmann (Alfred) und ’Woermann (Karl), Geschichte der Malerei,
II, pp. 419-20 (1881). Eng'lish translation, vol. II. London, 1887,
in-8, p. 166.
The pictures are attributed to Granach and his school.
Niedermayer (Friedrich), Ist die Annalime eines Pseudogrunewald
gerechtfertigt? (Kunstchronik, 1882, XVII. Sp. 129).
The first publication of the documents about « Master Simon » of
Aschaffenburg, henceforth identified by the writer with the « Pseudo-
Griinewald ». See also Kunstchronik XVII Sp. 201 (Woermann). Sp.
365 (Niedermayer), and Repertorium f. Kunstw, VII 253 (Niedermayer).
Janitschek (Hubert), Geschiclite der Deutschen Malerei. Berlin,
1890, in-8, p. 396.
Niedermayer's view is adopted, with modifications, some of the pic-
tures being attributed to another painter, more strongly inlluenced by
Granach.
ILallisches Heiligthumshuch vom .Jalire 15110 (Nr. XIII cler Lieb-
haber-Bibliothek alter Illustratoren in Facsimile-Reproduction).
Hirth, Munchen nndLeipzig, 1889. in-8. Prefaceby Richard Muther.
Facsimile of a selection of the woodcuts in the book of tliis name, part
of which are by an artist of the school of Cranach and are closely connec-
ted with the « Pseudo-Griinewald » pictures.
Terey (Gabriel von), Cardinal Alhrecht von Brandenhurg und
das Hallesche Heiligthumshuchvon 15 u20. Strassburg, 1892, in-8.
A book dealing with works, other than oil-paintings, attributed to the
« Pseudo-Griinewald » ; viz. the « Halle’sche Domschatz », a M. S. with
miniatures at Aschaffenburg, and Ihe Heiligthumsbuch of 1520, with
woodcuts partly by an artist alliecl to Cranach, partly by Wolf Traut,