DOI Page / Citation link:
https://doi.org/10.11588/diglit.52770#0160
REJECTED ENGRAVINGS
The following engravings, attributed to Diirer by Bartsch, are here unhesitatingly
rejected :
B.27. The Trinity. Copy of the woodcut, B.122. The attribution was withdrawn,
in a note, by Bartsch himself.
B.45. The Virgin by the Gate. Dated 1520. A compilation (see G. W. Reid in
Fine Arts Quarterly, 1866, N.S. I, 401).
B.64. St. Veronica (dry-point). Dated 1510. Copy from the woodcut, probably
by Diirer himself, in Salus animae, 1503. (C. Dodgson, “ Niirnberger Holzschnitte,”
1909, No. 99. Diirer Society, x, p. 20 of text.)
B.108. Joachim Patinier. Dated 1521. Universally regarded as an engraving by
another hand (C. Cort ?), presumably from a lost drawing by Diirer.
An impression with full lower margin at Amsterdam, reproduced in J. Veth and
S. Muller, “ A. D.’s Niederlandische Reise,” 1918,1 pl. 56, shows the signature EGID.
SAD [ELER] F. in the right upper corner, and traces of an effaced inscription on
the margin. The impression may be produced that this is an undescribed state of
the plate, but such an impression would be erroneous, for these are only MS. additions.
See Burlington Magazine, September 1926, xlix. 136.
142
The following engravings, attributed to Diirer by Bartsch, are here unhesitatingly
rejected :
B.27. The Trinity. Copy of the woodcut, B.122. The attribution was withdrawn,
in a note, by Bartsch himself.
B.45. The Virgin by the Gate. Dated 1520. A compilation (see G. W. Reid in
Fine Arts Quarterly, 1866, N.S. I, 401).
B.64. St. Veronica (dry-point). Dated 1510. Copy from the woodcut, probably
by Diirer himself, in Salus animae, 1503. (C. Dodgson, “ Niirnberger Holzschnitte,”
1909, No. 99. Diirer Society, x, p. 20 of text.)
B.108. Joachim Patinier. Dated 1521. Universally regarded as an engraving by
another hand (C. Cort ?), presumably from a lost drawing by Diirer.
An impression with full lower margin at Amsterdam, reproduced in J. Veth and
S. Muller, “ A. D.’s Niederlandische Reise,” 1918,1 pl. 56, shows the signature EGID.
SAD [ELER] F. in the right upper corner, and traces of an effaced inscription on
the margin. The impression may be produced that this is an undescribed state of
the plate, but such an impression would be erroneous, for these are only MS. additions.
See Burlington Magazine, September 1926, xlix. 136.
142