DOI Seite / Zitierlink:
https://doi.org/10.11588/diglit.20658#0071
ANATOMY.
57
K Part of the complexus. Superior extremity—Left side, u u Gastrocnemius externus seu
L Levator scapulae. a Supra-spinatus. gemellus.
M Rhomboides. b Infra-spinatus. v Tendo Achillis.
3N N Serratus posticus inferior, c Teres minor. w Soleus seu gastrocnemius in-
O Part of thelongissimus dorsi. d Teres major. ternus.
P Part of the sacro-Iumbalis. e Triceps extensor cubiti. x x Peronaeus longus et brevis.
Q Part of the semi-spinalis ff Extensores carpi radiales. y Tendons of the flexor longus
dorsi. g Supinator brevis. digitorum pedis—and un
R Part of the serratus anticus h Indicator. der them flexor brevis di-
major. ] 2 3 Extensores pollicis. gitorum pedis.
S Part of the obliquusinternus i Abductor minimi digiti. z Abductor minimi digiti pedis.
abdominis. k Interossei.
Inferior extremity.—Left side.
Superior Extremity—Right Side. Inferior extremity—Right side, mnoppqrstvwwxxyz
T Deltoides. 1 Glutseus maxioms. Point the same parts as in
U Triceps extensor cubiti. m Part of the gluta3us medixis. the right side.
V Supinator longus n Tensor vaginas femoris. a Pyriformis.
WW Extensores carpi radialis o Gracilis. bb Gemini.
longior et brevior. p p Adductor femoris magnus. c c- Obturator internus.
X X Extensor carpi ulnaris. q Part of the vastus internus. d Quadratus femoris.
Y Y Extensor digitorum com- r Semimembranosus. e Coccygaeus.
munis. s Semitendiuosus. f The short head, of the biceps
Z Abductor indicis. t Longbeadof the biceps flexor flexor cruris.
123 Extensores pollicis. cruris. ggPlantaris.
h Poplitaeus.
i Flexor longus pollicis pedis.
Fig. 2. The palm of the left hand, after the common integuments are removed, to shew the
muscles of the fingers, a Tendon of the flexor carpi radialis. b Tendon of the flexor carpi ul-
naris. c Tendons of the flexor sublimis perforatus, profundus, perforans, and lumbricales. d
Abductor pollicis. e e Flexor pollicis longus. f Flexor pollicis brevis. g Palmaris brevis. h
Abductor minimi digiti. i Ligamentum carpi annulare, k A probe put under the tendons of the
flexor digitorum sublimis, which are perforated by 1, the flexor digitorum profundus, m m m m
Lumbricales. n Abductor pollicis.
Fig. 3. Afore viezo of the foot and tendons of the flexores digitorum. a Cut extremity of the
tendo Achillis. b Upper part of the astragalus, c Os calcis. d Tendon of the tibialis anticus.
e Tendon of the extensor pollicis longus. f Tendon of the peronasus brevis. g Tendons of the
flexor digitorum longus, with the nonus Vesalii. h h The whole of the flexor digitorum brevis.
We have been more particular than may in general be thought necessary, in the description
of these two principal parts of the human frame, as an intimate and perfect knowledge of
the bones and muscles of our bodies is the most valuable qualification an artist can possess : the
former give strength stability and general form, and to the latter we are indebted for all our
motions, those evident variations of external shape, and even the expressions of the passions in the
countenance. The most eminent artists of every country have uniformly been well skilled in the
q anatomy
57
K Part of the complexus. Superior extremity—Left side, u u Gastrocnemius externus seu
L Levator scapulae. a Supra-spinatus. gemellus.
M Rhomboides. b Infra-spinatus. v Tendo Achillis.
3N N Serratus posticus inferior, c Teres minor. w Soleus seu gastrocnemius in-
O Part of thelongissimus dorsi. d Teres major. ternus.
P Part of the sacro-Iumbalis. e Triceps extensor cubiti. x x Peronaeus longus et brevis.
Q Part of the semi-spinalis ff Extensores carpi radiales. y Tendons of the flexor longus
dorsi. g Supinator brevis. digitorum pedis—and un
R Part of the serratus anticus h Indicator. der them flexor brevis di-
major. ] 2 3 Extensores pollicis. gitorum pedis.
S Part of the obliquusinternus i Abductor minimi digiti. z Abductor minimi digiti pedis.
abdominis. k Interossei.
Inferior extremity.—Left side.
Superior Extremity—Right Side. Inferior extremity—Right side, mnoppqrstvwwxxyz
T Deltoides. 1 Glutseus maxioms. Point the same parts as in
U Triceps extensor cubiti. m Part of the gluta3us medixis. the right side.
V Supinator longus n Tensor vaginas femoris. a Pyriformis.
WW Extensores carpi radialis o Gracilis. bb Gemini.
longior et brevior. p p Adductor femoris magnus. c c- Obturator internus.
X X Extensor carpi ulnaris. q Part of the vastus internus. d Quadratus femoris.
Y Y Extensor digitorum com- r Semimembranosus. e Coccygaeus.
munis. s Semitendiuosus. f The short head, of the biceps
Z Abductor indicis. t Longbeadof the biceps flexor flexor cruris.
123 Extensores pollicis. cruris. ggPlantaris.
h Poplitaeus.
i Flexor longus pollicis pedis.
Fig. 2. The palm of the left hand, after the common integuments are removed, to shew the
muscles of the fingers, a Tendon of the flexor carpi radialis. b Tendon of the flexor carpi ul-
naris. c Tendons of the flexor sublimis perforatus, profundus, perforans, and lumbricales. d
Abductor pollicis. e e Flexor pollicis longus. f Flexor pollicis brevis. g Palmaris brevis. h
Abductor minimi digiti. i Ligamentum carpi annulare, k A probe put under the tendons of the
flexor digitorum sublimis, which are perforated by 1, the flexor digitorum profundus, m m m m
Lumbricales. n Abductor pollicis.
Fig. 3. Afore viezo of the foot and tendons of the flexores digitorum. a Cut extremity of the
tendo Achillis. b Upper part of the astragalus, c Os calcis. d Tendon of the tibialis anticus.
e Tendon of the extensor pollicis longus. f Tendon of the peronasus brevis. g Tendons of the
flexor digitorum longus, with the nonus Vesalii. h h The whole of the flexor digitorum brevis.
We have been more particular than may in general be thought necessary, in the description
of these two principal parts of the human frame, as an intimate and perfect knowledge of
the bones and muscles of our bodies is the most valuable qualification an artist can possess : the
former give strength stability and general form, and to the latter we are indebted for all our
motions, those evident variations of external shape, and even the expressions of the passions in the
countenance. The most eminent artists of every country have uniformly been well skilled in the
q anatomy