DOI Page / Citation link:
https://doi.org/10.11588/diglit.52907#0051
Engravings.
45
411. Melancholia. 1514. First state. B. 74. C.D. 73.
In this state the first numeral in the third line of the tablet below the bell
is a reversed ” 9.”
412. Melancholia. Second state. B. 74. C.D. 73.
The “ 9 ” has been corrected.
Probably the first of a projected set of the Four Temperaments of which
the others were not carried out.
413. The Virgin seated by a Wall. 1514. B. 40. C.D. 72.
414. St. Jerome in His'Study. 1514. B. 60. C.D. 74.
415. The Virgin on the Crescent, with short Hair, to right. 1514.
B. 33. C.D. 75.
416. St. Thomas. 1514. B. 48. C.D. 76.
417. St. Paul. Second state. 1514. B. 50. C.D. 77.
In the first state the wall and background are omitted.
These plates belong to a projected set of the apostles to which three others
were later added, but which remained incomplete (cf. nos. 439, 440, 446).
418. The Peasants dancing.
1514.
B. 90.
C.D. 79.
419. The Piper. 1514.
B. 91.
C.D. 78.
420. Group of Five Figures.
(Etching.)
B. 70.
C.D. 80.
Date 1515-16.
Sometimes referred to as “ The Man in Despair.” The bearded figure
on left and the centre figure suggest some acquaintance on Dfirer’s part
with Michelangelo.
421. The Man of Sorrows, seated. 1515. Etching. B. 22. C.D. 81.
422. Christ on the Mount of Olives. 1515. Etching. B. 19. C.D. 82.
423. The Rare of a Young Woman (? Proserpine). 1516. Etching.
B. 72. C.D. 83.
The exact subject of this plate is uncertain.
424. The Vernicle held by One Angel. 1516. Etching. B. 26. C.D. 84.
425. The Virgin with Sceptre and Crown of Stars. 1516. B. 32. C.D. 85.
426. The Cannon. 1518. Etching. B. 99. C.D. 86.
For the drawing of the Turk (after Gentile Bellini) see no. 219.
427. Study for “The Virgin Crowned by Two Angels.” 1518. L. 94.
Pen and ink. 150 X 100. Collection: Malcolm. 1895.9.15.981.
428. The Virgin Crowned by Two Angels. 1518. B. 39. C.D. 87.
429. Study for “ Christ on the Cross ” (round plate), with separate studies
of the Virgin and the Crucifix.
Pen and ink. 129 X 101. Purchased. 1906.4.19.103.
This drawing was etched by Hollar, Parthey 106 (Diirer Society, IX, 22,
and XI, p. 70).
45
411. Melancholia. 1514. First state. B. 74. C.D. 73.
In this state the first numeral in the third line of the tablet below the bell
is a reversed ” 9.”
412. Melancholia. Second state. B. 74. C.D. 73.
The “ 9 ” has been corrected.
Probably the first of a projected set of the Four Temperaments of which
the others were not carried out.
413. The Virgin seated by a Wall. 1514. B. 40. C.D. 72.
414. St. Jerome in His'Study. 1514. B. 60. C.D. 74.
415. The Virgin on the Crescent, with short Hair, to right. 1514.
B. 33. C.D. 75.
416. St. Thomas. 1514. B. 48. C.D. 76.
417. St. Paul. Second state. 1514. B. 50. C.D. 77.
In the first state the wall and background are omitted.
These plates belong to a projected set of the apostles to which three others
were later added, but which remained incomplete (cf. nos. 439, 440, 446).
418. The Peasants dancing.
1514.
B. 90.
C.D. 79.
419. The Piper. 1514.
B. 91.
C.D. 78.
420. Group of Five Figures.
(Etching.)
B. 70.
C.D. 80.
Date 1515-16.
Sometimes referred to as “ The Man in Despair.” The bearded figure
on left and the centre figure suggest some acquaintance on Dfirer’s part
with Michelangelo.
421. The Man of Sorrows, seated. 1515. Etching. B. 22. C.D. 81.
422. Christ on the Mount of Olives. 1515. Etching. B. 19. C.D. 82.
423. The Rare of a Young Woman (? Proserpine). 1516. Etching.
B. 72. C.D. 83.
The exact subject of this plate is uncertain.
424. The Vernicle held by One Angel. 1516. Etching. B. 26. C.D. 84.
425. The Virgin with Sceptre and Crown of Stars. 1516. B. 32. C.D. 85.
426. The Cannon. 1518. Etching. B. 99. C.D. 86.
For the drawing of the Turk (after Gentile Bellini) see no. 219.
427. Study for “The Virgin Crowned by Two Angels.” 1518. L. 94.
Pen and ink. 150 X 100. Collection: Malcolm. 1895.9.15.981.
428. The Virgin Crowned by Two Angels. 1518. B. 39. C.D. 87.
429. Study for “ Christ on the Cross ” (round plate), with separate studies
of the Virgin and the Crucifix.
Pen and ink. 129 X 101. Purchased. 1906.4.19.103.
This drawing was etched by Hollar, Parthey 106 (Diirer Society, IX, 22,
and XI, p. 70).