Content

• Umschlag
• Titelblatt
• 3 Spis treści / Contents
• 5-12 Szybisty, Tomasz: Between light and shadows: reflecting on varied conceptual perspectives on the peculiar lambency suffusing gothic churches as evidenced by German literature from the latter decades of the eighteenth century and the beginning of the nineteenth century DOI
• 13-24 Raguin, Virginia Chieffo: Old imagery for a new century DOI
• 25-43 Crampin, Martin: The Gothic Revival character of ecclesiastical stained glass in Britain DOI
• 45-57 Parello, Daniel: "From the period of the deepest decline of German ecclesiastical art" - should artistic quality become a criterion for an inventory of stained glass? DOI
• 59-71 Sauterel, Valérie: The functioning and development of Kirsch & Fleckner's workshop in Fribourg during the first half of the twentieth century DOI
• 73-85 Cañellas i Martínez, Sílvia: Foreign contributions to early twentieth century stained glass windows of Catalonia DOI
• 87-102 Wais-Wolf, Christina: Research project Corpus Vitrearum – medieval and modern stained glass in Austria: investigations into Austrian stained glass after 1800 as part of a pilot project at the Austrian Academy of Sciences DOI
• 103-115 Aman, Cornelia: Middle Ages and nineteenth century: the significance of historical interventions in the documentation of and research on stained glass – a short working report from CVMA Potsdam DOI
• 117-119 Parello, Daniel; Szybisty, Tomasz: A fourteenth-century panel of heraldic stained glass from Annesley Old Church (Nottinghamshire) in a private collection in Cracow DOI
• 121-131 Utzig, Joanna: [Rezension von: Michael Burger, Fenestrae non historiatae. Ornamentale Glasmalerei der Hochgotik in den Regionen am Rhein (1250–1350)] DOI
• 133-135 Kronika Komisji Historii Sztuki Polskiej Akademii Umiejętności za rok 2018 DOI