DOI Seite / Zitierlink:
https://doi.org/10.11588/diglit.57278#0069
Early English Literature. Miniatures. Bindings. 43
and dated “Mai 1871”. Full score. 36 pages folio oblong. Original
cloth binding. Next to “Ein deutsches Requiem”, “Schicksalslied”
is Brahms’s most celebrated composition for chorus and orchestra,
and one of the most famous and esteemed works of modern music.
The text is by Friedrich Hoelderlin, the greatest poet of
Swabia besides Schiller.
JOHANNES BRAHMS. Original manuscript of the
Sonata “F minor” for two piano - f ort e s. Op. 34.
Signed “Jobs. Brahms”. 56 pages. The manuscript contains
quite a number of variations from the printed edition. (See
“Gesellschaft der Musikfreunde in Wien”, vol. n).
This famous sonata was much later recomposed (1865) as a
quintette for piano-forte, 2 violins, viola and Violoncello.
LUIGI CHERUBINI. Autograph musical manuscript.
Signed: “S o 1 f e g e pour l’examen semestriel. Mois de Juin, 1839.
L. Cherubim”. One page. 4to oblong.
GAETANO DONIZETTI. Autograph musical manu-
script signed. Title: “D u e 11 o scritto espressamente per i
Sigri Clementino Cornesti e Nicola Cartoni dall’ amico Donizetti,
1822, 19 Xbre!” (Duet especially written for Messrs. C. C. and
N. C. by their friend D., December igth, 1822.) Title page and
18 full pages. Folio oblong.
CHRISTOPH WILLIBALD GLUCK. Autograph
musical manuscript. 2 pages. Folio. A ballet (“M a e s t o s o”)
intended for the third act of “Orpheus”, but never printed.
On the verso a piece or orchestra, never printed and unknown.
Besides Handel manuscripts, which are practically
unobtainable, for all Handel musical manuscripts offered for
sale within the last 30 years proved to be copies or forgeries
(a few autograph letters were genuine), Gluck musical
manuscripts (not letters!) are the rares t.
CHARLES GOUNOD. Autograph musical manuscript
of a French song. Signed : “Gleaux, 12 juin, Ch. Gounod”. 4 pages.
Folio.
FROMENTAL HALEVY. Three autograph letters signed,
addressed to Alfred de Müsset, on the text of the opera
Müsset intended to write for Halevy.
JOSEPH HAYDN. Autograph musical manuscript.
Signed unpublished. “D ivertimento 24 oper il Pariton (sic!)
di me Giuseppe Haydn 1766 14 P (Manu propria)”. Folio. 2 pages.
PAUL GOTTSCHALK, Berlin W. 8, Unter den Linden 3 a.
and dated “Mai 1871”. Full score. 36 pages folio oblong. Original
cloth binding. Next to “Ein deutsches Requiem”, “Schicksalslied”
is Brahms’s most celebrated composition for chorus and orchestra,
and one of the most famous and esteemed works of modern music.
The text is by Friedrich Hoelderlin, the greatest poet of
Swabia besides Schiller.
JOHANNES BRAHMS. Original manuscript of the
Sonata “F minor” for two piano - f ort e s. Op. 34.
Signed “Jobs. Brahms”. 56 pages. The manuscript contains
quite a number of variations from the printed edition. (See
“Gesellschaft der Musikfreunde in Wien”, vol. n).
This famous sonata was much later recomposed (1865) as a
quintette for piano-forte, 2 violins, viola and Violoncello.
LUIGI CHERUBINI. Autograph musical manuscript.
Signed: “S o 1 f e g e pour l’examen semestriel. Mois de Juin, 1839.
L. Cherubim”. One page. 4to oblong.
GAETANO DONIZETTI. Autograph musical manu-
script signed. Title: “D u e 11 o scritto espressamente per i
Sigri Clementino Cornesti e Nicola Cartoni dall’ amico Donizetti,
1822, 19 Xbre!” (Duet especially written for Messrs. C. C. and
N. C. by their friend D., December igth, 1822.) Title page and
18 full pages. Folio oblong.
CHRISTOPH WILLIBALD GLUCK. Autograph
musical manuscript. 2 pages. Folio. A ballet (“M a e s t o s o”)
intended for the third act of “Orpheus”, but never printed.
On the verso a piece or orchestra, never printed and unknown.
Besides Handel manuscripts, which are practically
unobtainable, for all Handel musical manuscripts offered for
sale within the last 30 years proved to be copies or forgeries
(a few autograph letters were genuine), Gluck musical
manuscripts (not letters!) are the rares t.
CHARLES GOUNOD. Autograph musical manuscript
of a French song. Signed : “Gleaux, 12 juin, Ch. Gounod”. 4 pages.
Folio.
FROMENTAL HALEVY. Three autograph letters signed,
addressed to Alfred de Müsset, on the text of the opera
Müsset intended to write for Halevy.
JOSEPH HAYDN. Autograph musical manuscript.
Signed unpublished. “D ivertimento 24 oper il Pariton (sic!)
di me Giuseppe Haydn 1766 14 P (Manu propria)”. Folio. 2 pages.
PAUL GOTTSCHALK, Berlin W. 8, Unter den Linden 3 a.
