DOI Page / Citation link:
https://doi.org/10.11588/diglit.57278#0074
46
Rare and Early Printed Rooks. Autographs and Manuscripts.
of guitars, autograph musical pieces copied by J. J. Rousseau).
23 pages. Folio.
It is well known, that J. J. Rousseau in his youth copied
musical manuscripts in order to earn his living. These copies have
almost completely disappeared and are now extremely rare!
ANTON RUBINSTEIN. Autograph musical manu-
script signed. “Gondolier a”. Song. 13 pages. Folio. Text
by G e i b e 1.
ANTON RUBINSTEIN. Autograph musical manu-
script signed. Six songs, composed for voice and piano-
forte. Opus 8. ly pages jolio, and 3 pages text in 8vo.
xANTON RUBINSTEIN. Autograph musical manu-
script signed. 9 (10) songs for voice and piano-forte. Opus
115 (in German). i31/4; pages.
ANTON RUBINSTEIN. Autographmusical manuscript
signed. Five fables of Kriloss translated from Russian by R.
Sprato (into German), and composed for voice and piano-forte.
Opus 64. ly1/^ pages.
ANTON RUBINSTEIN. Autograph musical manu-
script signed. 12 songs, text from Russian, translated into
German, for voice and piano-forte. Opus 78. 16^/2 pages.
FRANZ SCHUBERT. Autograph musical manuscript
signed. Two songs:a)“Nähe des Geliebten” (Goethe),
b) “Sängers Morgenlied” (Körner). 2 pages, both pages
dated and signed” Am 27. Februar 815 Frz. Schubert M. pia”,
(by his own hand).
The first composition, a famous song by the greatest Lied-
composer after a poem by the greatest German poet, offers an unique
association. The second composition remained unedited until it
was published in the complete edition in the works of Schubert
in 1894.
ROBERT SCHUMANN. Autograph musical manu-
script. “12 Romanzen für Frauenchor” (Opus 69
and91), (Twelve romances for choir of women). Folio ii1/^ pages.
The manuscript contains the choir score for 8 of these
romances: the six numbers of opus 69 and nos. 3 and 6 of opus
91. Fürther the manuscript contains the accompaniment for
piano-forte for two of these numbers and besides for nos. 1—2 and
4—5 of opus 91. Some variations from the printed edition.
PAUL GOTTSCHALK, Berlin W. 8, Unter den Linden 3 a
Rare and Early Printed Rooks. Autographs and Manuscripts.
of guitars, autograph musical pieces copied by J. J. Rousseau).
23 pages. Folio.
It is well known, that J. J. Rousseau in his youth copied
musical manuscripts in order to earn his living. These copies have
almost completely disappeared and are now extremely rare!
ANTON RUBINSTEIN. Autograph musical manu-
script signed. “Gondolier a”. Song. 13 pages. Folio. Text
by G e i b e 1.
ANTON RUBINSTEIN. Autograph musical manu-
script signed. Six songs, composed for voice and piano-
forte. Opus 8. ly pages jolio, and 3 pages text in 8vo.
xANTON RUBINSTEIN. Autograph musical manu-
script signed. 9 (10) songs for voice and piano-forte. Opus
115 (in German). i31/4; pages.
ANTON RUBINSTEIN. Autographmusical manuscript
signed. Five fables of Kriloss translated from Russian by R.
Sprato (into German), and composed for voice and piano-forte.
Opus 64. ly1/^ pages.
ANTON RUBINSTEIN. Autograph musical manu-
script signed. 12 songs, text from Russian, translated into
German, for voice and piano-forte. Opus 78. 16^/2 pages.
FRANZ SCHUBERT. Autograph musical manuscript
signed. Two songs:a)“Nähe des Geliebten” (Goethe),
b) “Sängers Morgenlied” (Körner). 2 pages, both pages
dated and signed” Am 27. Februar 815 Frz. Schubert M. pia”,
(by his own hand).
The first composition, a famous song by the greatest Lied-
composer after a poem by the greatest German poet, offers an unique
association. The second composition remained unedited until it
was published in the complete edition in the works of Schubert
in 1894.
ROBERT SCHUMANN. Autograph musical manu-
script. “12 Romanzen für Frauenchor” (Opus 69
and91), (Twelve romances for choir of women). Folio ii1/^ pages.
The manuscript contains the choir score for 8 of these
romances: the six numbers of opus 69 and nos. 3 and 6 of opus
91. Fürther the manuscript contains the accompaniment for
piano-forte for two of these numbers and besides for nos. 1—2 and
4—5 of opus 91. Some variations from the printed edition.
PAUL GOTTSCHALK, Berlin W. 8, Unter den Linden 3 a
