DOI Seite / Zitierlink:
https://doi.org/10.11588/diglit.56940#0055
3. EDELMETALLKUNST. SCHMUCK. EMAIL
53
Church of John the Baptist of the town of Priluki (near Nowgorod or Brest-Litowsk?).
It is furthermore stated that in producing the binding, more than six Russian pounds
of silver and 13% tservontsi of gold were spent, while the pay of the artist amounted
to no less than 213 rubl and 30 copeks.
There are some occasional traces of use and a small hole on leaf 115 causing
a few syllables of the text to be lost. The catches of the binding and the four
metal bosses of the lower cover are renewed, otherwise book and binding are in very
good condition.
668 Spies, W. A., dissertatio hist.-crit. de imperiali sacra lancea. C. tab. inc.
4. Altorfi 1731. Ppbd. 36 SS. 4.—
669 Steiger. — Sammlung A. Steiger, St. Gallen. Email-Plaketten v. XVII. bis
XIX. Jh. M. 20 Tat. 4. München 1910. Aukt.-Kat. 6.—
670 Stuttgart. -— P a z a u r e k , G. E., alte Goldschmiedearbeiten aus schwä-
bischen Kirchenschätzen (v. d. Ausstellung kirchl. Kunst in Stuttgart,
Herbst 1911). M. 182 Abbild, auf 80 Taf. u. 5 Textabbild. 4. Leipzig
1912. Leinenbd. 100.—
Die große Ausstellung kirchl. Kunst Schwabens im Kgl. Landesgewerbemuseum
v. Stuttgart v. 1. Aug. bis 15. Okt. 1911 enthielt n. vielem a. auch eine reiche Samm-
lung von Erzeugnissen der Goldschmiedekunst Schwabens, an deren Stand man die
fast lückenlose Entwicklung dieser Kunst von d. roman. Zeit bis zum Empire ver-
folgen konnte.
671 Swenigorodskoi. Byzantine enamels in cloisonne technique. A. W. Sweni-
gorodskoi Collection. History and monuments of Byzantine enamel-work by
N. Kondakow. A magnificent volume containing a leaf of dedication exe-
cuted in gold and colours against a silver stamped background, 7 title-
pages, 31 plates and a final leaf, all of them printed in colours and heigh-
tened with gold. In addition there are 113 woodcut illustrations in the text
and a portrait of Swenigorodskoj, etched by F. Gaillard. Folio. Frankf.
on the Main, ca. 1900. Bound in white super extra Levant morocco, with
relief tooling and rieh decoration, partly laid on by hand. The edges are
also tooled to a decorative design and richly ornamented with gold, silver
and 5 colours. This splendid binding is wrapped in a silk-woven coverlet
especially made for the purpose and liberally ornamented in the old By-
zantine style. Thereto is added a book-mark, also of silk and ornamented
with gold and silver. The whole is preserved in a padded case. 950.—
No. 168 of this sumptuous work, of which only 200 copies were printed. The first
chapter gives an introduction in the history of the cloisonnö technique in general
including also the influence that came from Byzance. Chapter 2 deals with the monu-
ments of the Byzantine cloisonne enamels, and the two following chapters treat of the
Byzantine and Russo-Byzantine enamels preserved in the Swenigorodskoi-Collection.
The illustrations reproduce enamel-work of the Orient, Byzance, Russia, Georgia and
Western Europe. On 1. 5 there is an owner’s inscription and stamp, both scarcely
visible.
672 — Schulz, J., d. byzantin. Zellenschmelz. M. Portr. u. 22 Taf. Frank-
furt 1890. Lwdbd. 100.—
In nur 300 num. Exemplaren hergestellt u. nicht im Handel erschienen. Nr. 73.
Die Tafeln enth. Stücke der berühmten Sammlung Swenigorodskoi. M. handschr. Wid-
mung von A. v. Swenigorodskoi.
673 Tanner, P. de, Chinese jade ancient and modern. Descr. catalogue, illustr.
the most prominent pieces of a Collection of jade articles, with spec. refer.
to sepulchral jades. 2 Bde. Mit 119 schwarzen u. 7 färb. Tfln. Quer-Fol.
Berlin 1925. Orig.-Lwdbde. 90.—
KARL W. HIERSEMANN, LEIPZIG, KÖNIGSTR. 29. KAT. 613
53
Church of John the Baptist of the town of Priluki (near Nowgorod or Brest-Litowsk?).
It is furthermore stated that in producing the binding, more than six Russian pounds
of silver and 13% tservontsi of gold were spent, while the pay of the artist amounted
to no less than 213 rubl and 30 copeks.
There are some occasional traces of use and a small hole on leaf 115 causing
a few syllables of the text to be lost. The catches of the binding and the four
metal bosses of the lower cover are renewed, otherwise book and binding are in very
good condition.
668 Spies, W. A., dissertatio hist.-crit. de imperiali sacra lancea. C. tab. inc.
4. Altorfi 1731. Ppbd. 36 SS. 4.—
669 Steiger. — Sammlung A. Steiger, St. Gallen. Email-Plaketten v. XVII. bis
XIX. Jh. M. 20 Tat. 4. München 1910. Aukt.-Kat. 6.—
670 Stuttgart. -— P a z a u r e k , G. E., alte Goldschmiedearbeiten aus schwä-
bischen Kirchenschätzen (v. d. Ausstellung kirchl. Kunst in Stuttgart,
Herbst 1911). M. 182 Abbild, auf 80 Taf. u. 5 Textabbild. 4. Leipzig
1912. Leinenbd. 100.—
Die große Ausstellung kirchl. Kunst Schwabens im Kgl. Landesgewerbemuseum
v. Stuttgart v. 1. Aug. bis 15. Okt. 1911 enthielt n. vielem a. auch eine reiche Samm-
lung von Erzeugnissen der Goldschmiedekunst Schwabens, an deren Stand man die
fast lückenlose Entwicklung dieser Kunst von d. roman. Zeit bis zum Empire ver-
folgen konnte.
671 Swenigorodskoi. Byzantine enamels in cloisonne technique. A. W. Sweni-
gorodskoi Collection. History and monuments of Byzantine enamel-work by
N. Kondakow. A magnificent volume containing a leaf of dedication exe-
cuted in gold and colours against a silver stamped background, 7 title-
pages, 31 plates and a final leaf, all of them printed in colours and heigh-
tened with gold. In addition there are 113 woodcut illustrations in the text
and a portrait of Swenigorodskoj, etched by F. Gaillard. Folio. Frankf.
on the Main, ca. 1900. Bound in white super extra Levant morocco, with
relief tooling and rieh decoration, partly laid on by hand. The edges are
also tooled to a decorative design and richly ornamented with gold, silver
and 5 colours. This splendid binding is wrapped in a silk-woven coverlet
especially made for the purpose and liberally ornamented in the old By-
zantine style. Thereto is added a book-mark, also of silk and ornamented
with gold and silver. The whole is preserved in a padded case. 950.—
No. 168 of this sumptuous work, of which only 200 copies were printed. The first
chapter gives an introduction in the history of the cloisonnö technique in general
including also the influence that came from Byzance. Chapter 2 deals with the monu-
ments of the Byzantine cloisonne enamels, and the two following chapters treat of the
Byzantine and Russo-Byzantine enamels preserved in the Swenigorodskoi-Collection.
The illustrations reproduce enamel-work of the Orient, Byzance, Russia, Georgia and
Western Europe. On 1. 5 there is an owner’s inscription and stamp, both scarcely
visible.
672 — Schulz, J., d. byzantin. Zellenschmelz. M. Portr. u. 22 Taf. Frank-
furt 1890. Lwdbd. 100.—
In nur 300 num. Exemplaren hergestellt u. nicht im Handel erschienen. Nr. 73.
Die Tafeln enth. Stücke der berühmten Sammlung Swenigorodskoi. M. handschr. Wid-
mung von A. v. Swenigorodskoi.
673 Tanner, P. de, Chinese jade ancient and modern. Descr. catalogue, illustr.
the most prominent pieces of a Collection of jade articles, with spec. refer.
to sepulchral jades. 2 Bde. Mit 119 schwarzen u. 7 färb. Tfln. Quer-Fol.
Berlin 1925. Orig.-Lwdbde. 90.—
KARL W. HIERSEMANN, LEIPZIG, KÖNIGSTR. 29. KAT. 613