xl
Early Italian Engravings.
Milan
Milan (Trivulzio)
Munich .
Oxford .
Paris (B. N.). .
Paris (Dutuit) .
Paris (E. de R.)
Parma
Pavia ....
Rome (G. N.) .
Rome (Vatican) .
Vienna (Acad.) .
Vienna (Alb.)
Vienna (H.-B.) .
Vienna (Hofm.).
Vienna (Oest. Mus.)
. Ambrosiana.
Collection of Prince Trivulzio.
Graphische Sammlung, Alte Pinakotek.
Ashmolean Museum (Donee Collection).
Bibliotheque Nationale, Salle des Estampes.
Collection Dutuit, Petit Palais.
Collection of Baron Edmond de Rothschild.
Biblioteca.
. Museo Municipale (Malaspina Collection).
j' Galleria Nazionale, Cabinetto Naz. delle Stampe (Palazzo
' ( Corsini).
I Vatican, Collection of bound volumes of engravings. The
references given are to the Nos. on the backs of the
volumes.
K.k. Academie der Kiinste.
Kunstsammlung der Albertina.
K.k. Hofbibliotek.
J Bound books of prints (Klebebande) in the k.k. Hof-
‘ ( museum.
K.k. Oesterreichischer Museum fiir Kunst und Industrie.
COLLECTIONS THROUGH WHICH BRITISH
MUSEUM IMPRESSIONS HAVE PASSED.
The entry Collections, which comes in the catalogue between the
description of an impression in the B.M. and its register mark, resers to
the collections through which the impression described has passed. If a
date and number is attached, the reference is to one os the sale catalogues,
which are given in Section IV. os the General Bibliography.
If the identification is very uncertain a note of query is attached; but
even in cases where the note os query is not attached we cannot claim
that the identification is always more than a probable conjecture.
GENERAL BIBLIOGRAPHY.
The Bibliography is arranged in the following sections :
I. General and Miscellaneous Works,
II. Nielli.
III. Collections and Exhibitions.
IV. Sale Catalogues.
V. Reproductions.
Special and Individual Bibliographies are given in the introductions
to the various sections of the catalogue.
The arrangement in the several sections is chronological, except that
all the works of each author sollow the first entry under his name.
I. MISCELLANEOUS WORKS,
Inventory of the shop of the two sons of Alessandro di Erancesco Rosselli
(1476-1525) and agreements in relation to the property with their uncle, Jacopo
di Marco del Pecchia (1525-1529). Communicated by G. Milanesi and published
by J. del Badia, Miscellanea Fiorentina, Vol. II. No. 14 (Florence, July 1894),
p. 24. (The inventory contains various plates which can be identified with
Florentine engravings in the Broad and Fine Manners, as well as a large
number of woodcuts (largely plans and views) which are no longer in existence.)
Early Italian Engravings.
Milan
Milan (Trivulzio)
Munich .
Oxford .
Paris (B. N.). .
Paris (Dutuit) .
Paris (E. de R.)
Parma
Pavia ....
Rome (G. N.) .
Rome (Vatican) .
Vienna (Acad.) .
Vienna (Alb.)
Vienna (H.-B.) .
Vienna (Hofm.).
Vienna (Oest. Mus.)
. Ambrosiana.
Collection of Prince Trivulzio.
Graphische Sammlung, Alte Pinakotek.
Ashmolean Museum (Donee Collection).
Bibliotheque Nationale, Salle des Estampes.
Collection Dutuit, Petit Palais.
Collection of Baron Edmond de Rothschild.
Biblioteca.
. Museo Municipale (Malaspina Collection).
j' Galleria Nazionale, Cabinetto Naz. delle Stampe (Palazzo
' ( Corsini).
I Vatican, Collection of bound volumes of engravings. The
references given are to the Nos. on the backs of the
volumes.
K.k. Academie der Kiinste.
Kunstsammlung der Albertina.
K.k. Hofbibliotek.
J Bound books of prints (Klebebande) in the k.k. Hof-
‘ ( museum.
K.k. Oesterreichischer Museum fiir Kunst und Industrie.
COLLECTIONS THROUGH WHICH BRITISH
MUSEUM IMPRESSIONS HAVE PASSED.
The entry Collections, which comes in the catalogue between the
description of an impression in the B.M. and its register mark, resers to
the collections through which the impression described has passed. If a
date and number is attached, the reference is to one os the sale catalogues,
which are given in Section IV. os the General Bibliography.
If the identification is very uncertain a note of query is attached; but
even in cases where the note os query is not attached we cannot claim
that the identification is always more than a probable conjecture.
GENERAL BIBLIOGRAPHY.
The Bibliography is arranged in the following sections :
I. General and Miscellaneous Works,
II. Nielli.
III. Collections and Exhibitions.
IV. Sale Catalogues.
V. Reproductions.
Special and Individual Bibliographies are given in the introductions
to the various sections of the catalogue.
The arrangement in the several sections is chronological, except that
all the works of each author sollow the first entry under his name.
I. MISCELLANEOUS WORKS,
Inventory of the shop of the two sons of Alessandro di Erancesco Rosselli
(1476-1525) and agreements in relation to the property with their uncle, Jacopo
di Marco del Pecchia (1525-1529). Communicated by G. Milanesi and published
by J. del Badia, Miscellanea Fiorentina, Vol. II. No. 14 (Florence, July 1894),
p. 24. (The inventory contains various plates which can be identified with
Florentine engravings in the Broad and Fine Manners, as well as a large
number of woodcuts (largely plans and views) which are no longer in existence.)