DOI Page / Citation link:
https://doi.org/10.11588/diglit.67657#0526
410
Known Masters and their Immediate Followers.
DONATO BRAMANTE.
Born near Urbino (at Castel Durante ?) ab. 1444; settled at Milan,
working in various parts of Lombardy from before 1477 (1472 ?)
until 1499; removed in the latter year to Rome, where he died
in 1514.
BIBLIOGRAPHY.
Strutt, J. Biographical Dictionary of Engravers (1785), Vol. I. p. 140.
Zani, P. Material! (1802), p. 55.
Zani, P. Enciclopedia Metodica. Parte seconda. Vol. Ill (1820), p. 319.
Ottley. II. pp. 530-32.
Pungileoni, L. Memorie intorno alia vita ... di Bramante. Rome, 1836 (p. 51).
Courajod, L. and Geymuller, H. de. Les Estampes attributes a B., aux points
de vue iconograpbique et architectonique. Paris, 1874.
(The first part extracted from Gazette des Beaux-Arts, 2' ptr., X. p. 254.)
Seidlitz, W. von. Bramante in Mailand. Pr. Jahrbuch, VIII (1887), 183.
Beltrami, L. Bramante a Milano (Document! e disegni inediti). P.assegna d’Arte,
I. 33, 100.
■-La Sala dei Maestri d’ Arme nella Casa dei Panigarola in San
Bernardino (ora Via Lanzone) dipinto da Bramante. Passegna d’Arte, II. 97.
ENGRAVINGS BY OR ATTRIBUTED TO BRAMANTE.
The print described as No. 1 is the only plate which has any
claim to be regarded as an original engraving by Bramante. The
reasons given at length in the note to this print, tend even in this
case to the conclusion that only the design and not the engraving is
by the architect. Nos. 2 and 2* have probably no immediate relation
even in their design to any work of Bramante, and seem to present
a mere medley of various styles of building to which the engraver
has given the name of the famous architect from whom he no doubt
borrowed certain features.
The print described by Passavant, V. 178, 3 (and attributed by
Zani to Bramante, Enciclopedia Metodica, II. vol. 3, p. 319) has no
connexion with Bramante beyond the fact that the building in the
background is adopted from his chapel in S. Pietro in Montorio at
Rome. It is placed in this catalogue with Miscellaneous engravings
(F. II. 17).
Known Masters and their Immediate Followers.
DONATO BRAMANTE.
Born near Urbino (at Castel Durante ?) ab. 1444; settled at Milan,
working in various parts of Lombardy from before 1477 (1472 ?)
until 1499; removed in the latter year to Rome, where he died
in 1514.
BIBLIOGRAPHY.
Strutt, J. Biographical Dictionary of Engravers (1785), Vol. I. p. 140.
Zani, P. Material! (1802), p. 55.
Zani, P. Enciclopedia Metodica. Parte seconda. Vol. Ill (1820), p. 319.
Ottley. II. pp. 530-32.
Pungileoni, L. Memorie intorno alia vita ... di Bramante. Rome, 1836 (p. 51).
Courajod, L. and Geymuller, H. de. Les Estampes attributes a B., aux points
de vue iconograpbique et architectonique. Paris, 1874.
(The first part extracted from Gazette des Beaux-Arts, 2' ptr., X. p. 254.)
Seidlitz, W. von. Bramante in Mailand. Pr. Jahrbuch, VIII (1887), 183.
Beltrami, L. Bramante a Milano (Document! e disegni inediti). P.assegna d’Arte,
I. 33, 100.
■-La Sala dei Maestri d’ Arme nella Casa dei Panigarola in San
Bernardino (ora Via Lanzone) dipinto da Bramante. Passegna d’Arte, II. 97.
ENGRAVINGS BY OR ATTRIBUTED TO BRAMANTE.
The print described as No. 1 is the only plate which has any
claim to be regarded as an original engraving by Bramante. The
reasons given at length in the note to this print, tend even in this
case to the conclusion that only the design and not the engraving is
by the architect. Nos. 2 and 2* have probably no immediate relation
even in their design to any work of Bramante, and seem to present
a mere medley of various styles of building to which the engraver
has given the name of the famous architect from whom he no doubt
borrowed certain features.
The print described by Passavant, V. 178, 3 (and attributed by
Zani to Bramante, Enciclopedia Metodica, II. vol. 3, p. 319) has no
connexion with Bramante beyond the fact that the building in the
background is adopted from his chapel in S. Pietro in Montorio at
Rome. It is placed in this catalogue with Miscellaneous engravings
(F. II. 17).