508 Known Masters and their Immediate Followers.
(ii) Second state: child’s leg now added, and the head 1. clearly engraved;
a small stone appears in foreground r.
Impression on paper tinted red, and heightened with white.
Purchased 1845. 8. 25. 786.
Other impressions: Paris, B. N., and E. de R. (i and ii), Vienna (Alb. and H.-B.;
both in red ink), Berlin (ii), Dresden (ii).
Reproductions : Illustr. 14 (from i); Gazette des Beaux-Arts, XVII. p. 458 ; Braun
68.006.
Titian’s picture of the Children's Bacchanal (Madrid) contains motives
closely akin to this print. Moreover numerous drawings of the school of Titian
(for the most part attributed to Domenico Campagnola himself) show similar
groups of dancing children ; e.g. B. M., on the reverse of a study of the Virgin
and Child in clouds, P. p. 2-112 ; several at Chatsworth (Br. 74, 179, 180,
181); another in the collection of Mr. Fairfax Murray (reproduced F. M. Coll.,
1904, No. 62).
(ii) Second state: child’s leg now added, and the head 1. clearly engraved;
a small stone appears in foreground r.
Impression on paper tinted red, and heightened with white.
Purchased 1845. 8. 25. 786.
Other impressions: Paris, B. N., and E. de R. (i and ii), Vienna (Alb. and H.-B.;
both in red ink), Berlin (ii), Dresden (ii).
Reproductions : Illustr. 14 (from i); Gazette des Beaux-Arts, XVII. p. 458 ; Braun
68.006.
Titian’s picture of the Children's Bacchanal (Madrid) contains motives
closely akin to this print. Moreover numerous drawings of the school of Titian
(for the most part attributed to Domenico Campagnola himself) show similar
groups of dancing children ; e.g. B. M., on the reverse of a study of the Virgin
and Child in clouds, P. p. 2-112 ; several at Chatsworth (Br. 74, 179, 180,
181); another in the collection of Mr. Fairfax Murray (reproduced F. M. Coll.,
1904, No. 62).