DOI Heft:
No. 59 (January, 1902)
DOI Artikel:American studio notes
DOI Seite / Zitierlink: https://doi.org/10.11588/diglit.22772#0283
American Studio Talk
FROM THE EXHIBITION OF THE PHILADELPHIA PHOTOGRAPHIC SALON
FANTASY ” BY PIERRE DUBREUIL
nal, a design of red or blue enamel finishing
polished gold surfaces, the oval links being carved.
Mrs. Koehler being more of a celebrity, her
work was eagerly scanned. One of her choicest
bits was a brooch of silver and enamel holding a
turquoise which had meant to be a circle and
decided on one side to be a triangle. Another
attractive trifle was a letter-opener with silver blade
and a hilt of opaque enamel in dull green and blue.
Miss Jane Carson was represented by some delight-
ful work, a “pond lily belt buckle” being a charm-
ing bit, other buckles and a silver and enamelled
box being very commendable in design and careful
finish. Miss Bertha Holden presented a most
original German silver frame, quite unique in de-
sign although very simple. The dull finish was
workmanlike. Miss Holden also had enamels on
copper. The tiny copy bowl, with its lining of
green enamel, must not be left out. This was by
Miss Jessie Lucher.
Other metal work included four quaint brass
lii
lanterns by Mildred K. Holden, some hand-
wrought silver spoons, a small copper box with
raised design by C. H. Busck, brass and copper
trays by Miss E. A. Bagster, bowls of brass and
copper by Isadore Taylor, and eight candlesticks
by Brandt Steele. These latter carried off the
selling honors, several being disposed of at once.
They were of unblackened wrought iron, in very
dainty designs.
In the cabinetwork there were some pieces of
Eastwood furniture. There were also some small
pieces by Mr. George Dole, the most attractive
being a set of tiny drawers to place on a dresser.
Mrs. Hudson Bridge had a wooden bowl of holly-
hocks, stained in colors with a burnt-wood ground.
Some other burnt-wood was by Mrs. Minnette
Slayback Carper. This included a fire screen, the
body stained green, with upper panels of poppies
on the natural wood; a triptych of brown wood,
with mediaeval design deeply burned, intended to
stand on a table, and enclosing photographs of
FROM THE EXHIBITION OF THE PHILADELPHIA PHOTOGRAPHIC SALON
FANTASY ” BY PIERRE DUBREUIL
nal, a design of red or blue enamel finishing
polished gold surfaces, the oval links being carved.
Mrs. Koehler being more of a celebrity, her
work was eagerly scanned. One of her choicest
bits was a brooch of silver and enamel holding a
turquoise which had meant to be a circle and
decided on one side to be a triangle. Another
attractive trifle was a letter-opener with silver blade
and a hilt of opaque enamel in dull green and blue.
Miss Jane Carson was represented by some delight-
ful work, a “pond lily belt buckle” being a charm-
ing bit, other buckles and a silver and enamelled
box being very commendable in design and careful
finish. Miss Bertha Holden presented a most
original German silver frame, quite unique in de-
sign although very simple. The dull finish was
workmanlike. Miss Holden also had enamels on
copper. The tiny copy bowl, with its lining of
green enamel, must not be left out. This was by
Miss Jessie Lucher.
Other metal work included four quaint brass
lii
lanterns by Mildred K. Holden, some hand-
wrought silver spoons, a small copper box with
raised design by C. H. Busck, brass and copper
trays by Miss E. A. Bagster, bowls of brass and
copper by Isadore Taylor, and eight candlesticks
by Brandt Steele. These latter carried off the
selling honors, several being disposed of at once.
They were of unblackened wrought iron, in very
dainty designs.
In the cabinetwork there were some pieces of
Eastwood furniture. There were also some small
pieces by Mr. George Dole, the most attractive
being a set of tiny drawers to place on a dresser.
Mrs. Hudson Bridge had a wooden bowl of holly-
hocks, stained in colors with a burnt-wood ground.
Some other burnt-wood was by Mrs. Minnette
Slayback Carper. This included a fire screen, the
body stained green, with upper panels of poppies
on the natural wood; a triptych of brown wood,
with mediaeval design deeply burned, intended to
stand on a table, and enclosing photographs of