International studio (15.1901/1902(1902))

A meric an Studio Talk

hand-woven linen by the Keswick School of Art;
embroideries by Miss Ella Waite, of Chicago Arts
and Crafts ; by the Decorative Art of St. Louis ; and
some ecclesiastical embroideries by the Guild of
St. Mary, of Christ Church Cathedral. One set of
covers for a Morris chair, done on tan linen in

“ pine bloom ” pattern, and some simple hand-
woven floor rugs.

Miss Lina Eppendorff had a collection of native
grass baskets, very odd and useful looking.

In leather work the palm was carried off by a
large portfolio done in stains and bronzes and ham-

FROM THE EXHIBITION OF THE PHILADELPHIA PHOTOGRAPHIC SALON
“CORYPHEE” BY C. YARNALL ABBOTT

green silk, had an exceedingly strong and pleasing
design, made by Miss S. E. Shea. A handsome
cover for a dining-room table was made of a coarse
canvas, cut round with a rococo edge, and deco-
rated in fruit and flowers in conventional design of
softened tones, painted in oil colors. There were
some interesting hand-woven coverlets made by the
mountain women of Kentucky in the famous old
liv

rnered leather, made by Miss Carrie Wilkerson,
designed by Miss Bulkley. Another bit of good
workmanship, but more simple in design and exe-
cution, was a stained and embossed leather cushion,
by Arthur Grunnell. Mr. Grunnell also had several
portfolios of the same style. Mr. Grunnell’s work
is always original in treatment. Charlotte H. Busck
had a mat and a portfolio of tooled leather, and