DOI issue:
No. 81 (November, 1903)
DOI article:Bare, H. Bloomfield: The annual exhibition at the Mount Street School of Art, Liverpool
DOI Page / Citation link:https://doi.org/10.11588/diglit.26230#0059
.SY/Yoo/ <9/ F/,
MODELLED PANEL: "THE APOCAI.YPSE"
BY VIOLET BRUNTON
breadth of effect, and the Student makes the
stencil direct from the model.
Single-plate or double-plate stencils may be cut.
With two piates a greater ränge of values can be
secured, especialiy when toned papers are used for
the printing.
Some of the stencil studies by Gilbert Rogers
were among the best examples of this method of
work shown. It has a wide application to design
where economical reproduction is necessary.
These stencil designs are well adapted for silk
and other fabrics in portieres and similar hangings.
Among these there were good compositions by
Florence Laverock, Lilian Gilmour and Gilbert
Rogers in the exhibition.
Albert Dodd's design for a stencilled portiere,
which obtained a gold medal in the National
Competition, 1902, exemplißed the broad and
simple drawing essential to stencil cutting.
In the colour printing was noticeable the same
MODELLED TANEL : "THE FINDtNG OF MOSES "
BY VIOLET BRUNTON
quality of broad effect,
and Florence Laverock's
Akrur con-
Hrmed our opinion of
the value of this elimi-
native treatment in decora-
tion.
Constance Read's
/wa has already
been appreciably noticed
in THE STUDIO article upon
the National Competition
of Schools of Art, 1902,
and the favourable opinion
of it may be repeated. The
example of this subject
shown in the exhibition was.
MODELLED PANEL: "THE APOCAI.YPSE"
BY VIOLET BRUNTON
breadth of effect, and the Student makes the
stencil direct from the model.
Single-plate or double-plate stencils may be cut.
With two piates a greater ränge of values can be
secured, especialiy when toned papers are used for
the printing.
Some of the stencil studies by Gilbert Rogers
were among the best examples of this method of
work shown. It has a wide application to design
where economical reproduction is necessary.
These stencil designs are well adapted for silk
and other fabrics in portieres and similar hangings.
Among these there were good compositions by
Florence Laverock, Lilian Gilmour and Gilbert
Rogers in the exhibition.
Albert Dodd's design for a stencilled portiere,
which obtained a gold medal in the National
Competition, 1902, exemplißed the broad and
simple drawing essential to stencil cutting.
In the colour printing was noticeable the same
MODELLED TANEL : "THE FINDtNG OF MOSES "
BY VIOLET BRUNTON
quality of broad effect,
and Florence Laverock's
Akrur con-
Hrmed our opinion of
the value of this elimi-
native treatment in decora-
tion.
Constance Read's
/wa has already
been appreciably noticed
in THE STUDIO article upon
the National Competition
of Schools of Art, 1902,
and the favourable opinion
of it may be repeated. The
example of this subject
shown in the exhibition was.