International studio (21.1903/1904(1904))

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for students, and productive
of much heaithy interest
and enthusiasm—with some
misgivings that the spectre
of red-tape, which seemed
to have vanished under the
heaithy controi of an en-
iightened headmaster, might
not ioomintosight again.
But this year, after studying
the exhibits, the old appre-
hensions are dispeiied, for
the tedious mechanicai work
is conspicuous by its
absence, and though it
is hard to say exactiy
where the difference iies,
the exhibition as a whoic
created an impression of
robust vitaiity in the ad-
nrinistration of the enranci-
pated schooi which is fuii of
good augury for a successful
future ; and if the exhibits
of the Ciub are to be ac-
cepted as representative of
With some such feeiings as that expressed above the work of the schooi, the sense of improvement
the annuai visitor has iearned to approach the in the year's harvest is such as to justify the belief
Schooi of Art Ciub show—a show run by students that the conditions under which the work of the

EMBROtDERHH CUSHtON COVER

BY MII.UCEXT BEYEKtDGE


PAIKTED BARCHMEKT BOOKCOVER :
ro8

" SIEGt'RtED "

BY DOROTHY C. SMYTH