DOI issue:
No. 84 (February, 1904)
DOI article:American studio-talk
DOI Page / Citation link:https://doi.org/10.11588/diglit.26230#0430
^773^303% Z%//&
RAPIDS, LITTLE FALLS, N. J. l;Y FREDERICK BALLARD WILLIAMS
Wiggins; 7%g -Oiry'y ,5W, by Walter L. Palmer;
W&Mwz&r M — AfiV/uvzi?, by
Aime Leon Meyvis; Zfh7T^7 JIfiw7i7-A<?, by Arthur
Feudel; and EHiott Daingerßeld's jMvu/zY Ag*.
The is a stirring example of Edward
F. Rook's mastery in the rendering of transient
effects of light and movement; yet it must yield in
charm, I think, to his other picture, ^<77;,%%/,
which is a most tenderly truthful representation of
a village Street in France, with sheep and shepherd
wending homeward in the shadow of the cottages,
— a canvas Mied with mute pathos, inexpressibly
subtle in the lovely gravity of its color. Distin-
guished also by a beautiful seriousness and depth of
truth is Henry G. Dearth's —7^77/ ^W7i/
while the ylff/T-WurF, by Jonas Lie, is another work
ofdistinguishablemerit. TheJbfiw7i7*w — ^4 GriM-
i7fn77 by Horatio Walker, is a good exam-
ple of his delicate sense of color, combined with
strength and breadth in the management and feeling
of the Of two landscapes by Güllen
Yates, CTwiäyg* Y/H7-771 is far the stronger and
more original. It represents a dreary Stretch of
sand and tangled grass, on which Stands a single
stubbly tree, bending before the wind, its foliage
tossed and tangled; while back of it lowers a sky
growing thick and dark with clouds. Very well
expressed are the gathering gloom and the hurry
ccxix
RAPIDS, LITTLE FALLS, N. J. l;Y FREDERICK BALLARD WILLIAMS
Wiggins; 7%g -Oiry'y ,5W, by Walter L. Palmer;
W&Mwz&r M — AfiV/uvzi?, by
Aime Leon Meyvis; Zfh7T^7 JIfiw7i7-A<?, by Arthur
Feudel; and EHiott Daingerßeld's jMvu/zY Ag*.
The is a stirring example of Edward
F. Rook's mastery in the rendering of transient
effects of light and movement; yet it must yield in
charm, I think, to his other picture, ^<77;,%%/,
which is a most tenderly truthful representation of
a village Street in France, with sheep and shepherd
wending homeward in the shadow of the cottages,
— a canvas Mied with mute pathos, inexpressibly
subtle in the lovely gravity of its color. Distin-
guished also by a beautiful seriousness and depth of
truth is Henry G. Dearth's —7^77/ ^W7i/
while the ylff/T-WurF, by Jonas Lie, is another work
ofdistinguishablemerit. TheJbfiw7i7*w — ^4 GriM-
i7fn77 by Horatio Walker, is a good exam-
ple of his delicate sense of color, combined with
strength and breadth in the management and feeling
of the Of two landscapes by Güllen
Yates, CTwiäyg* Y/H7-771 is far the stronger and
more original. It represents a dreary Stretch of
sand and tangled grass, on which Stands a single
stubbly tree, bending before the wind, its foliage
tossed and tangled; while back of it lowers a sky
growing thick and dark with clouds. Very well
expressed are the gathering gloom and the hurry
ccxix