Universitätsbibliothek HeidelbergUniversitätsbibliothek Heidelberg
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International studio — 25.1905

DOI Heft:
Nr. 97 (March, 1905)
DOI Artikel:
Oliver, Maude I. G.: German paintings and sculpture at the St. Louis exhibition
DOI Seite / Zitierlink: 
https://doi.org/10.11588/diglit.26959#0074

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C<?7772<3% <%/ .SY.



This effort, simple and direct in idea, eloquently /7w,M ?/%<? by Heinrich lEpler. This
proclaimed the hopelessness of never-ending toil, represented a human mother trying to protect her
Its 77M%/y consisted of a level held in well-
maintained distance, and a man guiding
a plough drawn by the figure of a
woman, bent and worn. 7H? ZZwn7*
with its sprightly yellow and
white chrysanthemums, was one of two
attractive canvases by Hans Herrmann.
Professor Paul Meyerheim, of Berlin,
sent two examples of his loose, con-
fident brushwork. Among the paintings
engaging the largest interest in the
section were by
Eduard von Gebhardt, of Diisseldorf;
^4/*/ CW/Ay M AZzZA, by O. Gebler,
Munich; -4^ Tv/Ar by
Professor Knaus, Berlin ; and
AA^7/y y!w75/<? <?/* ZwZai/ Z?
7'77^7^7*7*^Ac77 77z -rtSTy, by Professor Arthur
Kampf, of Berlin.
The marble, entitled ^4A<2777 a77A Zw,
from the chisel of Peter Brener, should
be ranked as one of the most serious
exhibits in the held of sculpture. A
very dramatic work, with technical
qualities, was that called .-

BOOKBINDING BY MRS. MACDONALD

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