International studio (25.1905)

delicacy of colour. Miss
Morrison had talent and
a personality which en-
deared her to her masters
and fellow students. Her
work, which has frequently
been illustrated in THE
STUDto, had already
achieved success, and
there was great promise of
distinction for her future,
so that the sudden and
untimely ending of a
PORTION OF EMBROIDERED TABLE CLOTH BY HELENA SHAW
bright career is felt as a loss by the whole
school.

Pen and ink designs of the ZiwT-ZVMWiAby
Albert W. Dodd, are well conceived and boldly
drawn. Two of this set are here reproduced and
will commend themselves without any further
description.

a design for stained glass,
not too formally limited by the border lines, is by
Jessica Walker : a AfhfZiM, by Alice Cartmel,
and a circular panel with fish, by Bertram
Ashworth, are both successful treatments of leaded
glass.

Helena Shaw contributes a good embroidered
and cut-work afternoon tea-cloth, and a splasher
design by Alice Nugent is attractive and com-
mendable in many ways.

Under Mr. Crossland McClure, the modelling
work ot the school made considerable strides.
Since his departure to take an appointment at
the Leicester School of Art, Mr. Charles J. Allen,
assisted by Mr. Herbert Morcom, gives direction to
much excellent work done, especially in the
modelling from life. The nude studies treated by
Florence Gill and Margery Doggett deserve
particular mention.



Two choice little relief panels designed for
silver or leather covers of devotional books, and a
plaster relief panel Z<w<! AZ<Wy, each by
Katie Fisher, display refinement and poetic feeling,
as well as technical excellence.

"MERLIN AND VIVIEN"
CARTOON FOR STAINED GLASS

BY MISS JESSICA
WALKER

H. B. B.
35i