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International studio — 50.1913

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https://doi.org/10.11588/diglit.43453#0434
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THE INTERNATIONAL STUDIO

July, 1913

“ Made
in
Holland”

Rembrandt
Col ors
Noted for their surprising bril-
liancy, permanence and easy-
working qualities, Rembrandt

Colors have become widely used by

many famous American and European

Artists, whose testimonials are at

your disposal.

Your dealer can supply Rembrandt Colors. Asfy him. If

he u)on ’t. send to us.

Write for Rembrandt Booklet

TALENS & SON

American Office

1095 Clinton Ave., Irvington, N. J.


HIGGINS’

DRAWING INKS
EXTERNAL WRITING INK
ENGROSSING INK
TAURINE MUCILAGE
PHOTO-MOUNTER PASTE
DRAWING-BOARD PASTE
LIQUID PASTE
OFFICE PASTE
VEGETABLE GLUE, ETC.

ARIE THE FINEST AND BEST
INKS AND ADHESIVES


Emancipate yourself from the
use of corrosive and 111-smelling
Inks and adhesives and adopt
the Higgins’ Inks and Adhe-
sives. They will be a revelation
to you, they are so sweet, clean
and well put up.
At Dealers Generally
Chas. M. Higgins & Co., Mfrs.
271 Ninth Street, Brooklyn, N. Y.
Branches: Chicago, London

a. SARTORIUS & CO.
Manufacturers and Importers of
ARTISTS’ COLORS
AND MATERIALS
China Colors in Powder
(In vials or in bulk.) Vials and corks
for dealers and teachers bottling china
colors.
China Colors in Tubes
(Oil and Water Preparations.)
Artists’ Oil Colors, Artists’ Water Colors, Art-
ists’ Moist Oleo Colors, Artists’ Fine Brushes
Write for A. Sartorius & Co.’s Catalogue contain-
ing many instructions how tomixand apply colors
57 MURRAY STREET, NEW YORK


£

“CRAYOLA”
AND
“DUREL” CRAYONS
<J Superior to liquid mediums for
rapid outdoor sketching, to seize fugi-
tive effects and for color composi-
tion in trying different arrangements.
<J Samples to those mentioning this
publication.
BINNEY & SMITH CO.
81 Fulton Street :: New York


The Inks Used in Printing This Maga
zine Are Manufactured by

THE AULT & WIBORG

Agent, M. G. PRICE, 359 West 118th Street, New

EVERYTHING NEEDED BY THE UP-TO-DATE

THE PALETTE ART CO.

THE LEADING ART MATERIAL
IN NEW YORK.

56 EAST 23d STREET NEW
Agents for Maratta Oil Colors

V’OUGA CELEBRATED FINE ART STUDIE
suitable for copying in oils, and water-colors for Chii
and other decorative work. Illustrated Catalogue, wii
premiums and discounts, showing flower, fruit, figur
landscape, a.nimal studies, etc. 30c. Only one and tiv
cent stamps accepted. No foreign money or stamps.

EXPERT OPINIONS REGARDING MARATTA COLORS
Dear Mr. Maratta: I cannot but congratulate you on those excellent Colors. They
are the best a painter can have on his palette, and should be used by all the leading
artists. Nothing else I know of can give such surprisingly beautiful contrasts and
brilliant harmonies; a richness without crudeness. In every way they are Colors
reliable, a practical and more economical means for a great artistic success.
Believe me, faithfully yours, ARTHUR B. DAVIES.
Dear Mr. Maratta: To anyone interested in painting I would suggest a thorough
investigation of the Maratta Colors. I have profited greatly by my use of the Colors
and the study the use of them has induced during the past four years. I cannot give
the Colors a too hearty recommendation. Yours truly, ROBERT HENRI.
H. G. MARA1T A, 206 West 95th Street, New York City

one. The portrait of the Mayor of Ornans
dates from 1850, and is in the first manner
of the artist, which could be called his
dark manner. This Portrait of a Woman is
in his last manner, which was his lightest.
It must have been painted between 1866
and 1870, and represents a woman whose
style of coiffure would imply that she
comes from the same part of the coun-
try as Courbet, namely, the Franche-
Comte.
To quote M. Leonce Benedite, “Courbet
was anathema to his generation, with a
Pantagruelesque thirst for glory; but he
was in Paris the “painter” par excellence,
and the finest painters of our time have
derived their finest inspiration from him
and have turned to him for it; men like
Manet, Fantin, Legros, Whistler, Monet,
Renoir, and many others. With Corot
and Millet, Courbet is incontestably one of
the three great artistic leaders of the latter
half of the nineteenth century.”
A TRIPTYCH BY ADRIAEN
ISENBRANT
An important purchase has recently
been made by the Metropolitan Museum
of Art of a triptych by Adriaen Isenbrant,
which was acquired by M. Jacques Selig-
mann from the Lippman Collection.
Panel and wings are united decoratively by
a common background for the different
scenes; shepherds in the valley tend their
flocks, arched by hills and castle-crowned
rocks. The central panel shows the Holy

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