Content

• Titelblatt
• Index
• Nr. 197 (July, 1913) DOI
  • 3-13 Siordet, Gerald C.: Mr. Brangwyn's tempera paintings at the Ghent exhibition DOI
  • 13-20 Harada, Jirō: Modern tendencies in Japanese sculpture DOI
  • 21-34 The Royal Academy exhibition, 1913 DOI
  • 35-42 Frantz, Henri: The Salon of the Société Nationale des Beaux-Arts, Paris DOI
  • 43-50 Taylor, Ernest Archibald: Pictures by American painters in the Paris salons DOI
  • 51-58 Taylor, Ernest Archibald: The exhibition of the Société des Artistes Decorateurs, Paris DOI
  • 58-81 Studio-Talk DOI
  • 81-83 Reviews and notices DOI
  • 84 The Lay Figure: On expecting too much DOI
  • III-VII Hoeber, Arthur: Robert I. Aitken, A.N.A., an American sculpteur DOI
  • VIII-X Maxwell, Everett Carroll: A tribute to the work of the late Norman St. Clair, a western water-colorist DOI
  • X A new print gallery in New York DOI
  • XI-XV MacChesney, Clara T.: A poet-painter of Palestine DOI
  • XVII-XIX An exhibition of art in modern industries DOI
  • XX-XXI A new art school DOI
  • XXI The Prang Company DOI
• Nr. 198 (August 1913) DOI
  • 87-95 Hurst, Oakley: The landscape paintings of Charles M. Gere DOI
  • 97-107 Frantz, Henri: The Rouart collection, 3: The works of Millet DOI
  • 107 The landscapes of Corot DOI
  • 108-116 Bröchner, Georg: The château of Rosenborg, Copenhagen, and its collections DOI
  • 116-122 Some water-colour drawings of Mount Athos by Georges Kossiakoff DOI
  • 122-129 Taylor, Ernest Archibald: The original etchings of Donald Shaw MacLaughlan DOI
  • 130-163 Studio-Talk DOI
  • 163-165 Art school notes DOI
  • 166 The Lay Figure: On art and auction DOI
  • XXIII-XXIX D., L. C.: Contemporary Spanish painting at the Art Institute of Chicago DOI
  • XXIX A work on Bonington DOI
  • XXIX Slow-drying moist water colors DOI
  • XXXI-XXXIII Owings, Edna: The art of Alice Schille DOI
  • XXXIII-XXXV Carroll art galleries DOI
• Nr. 199 (September, 1913) DOI
  • 169-176 Walker, A. Stodart: A painter of interiors: Patrick W. Adam, R. S. A. by A. Stodart Walker DOI
  • 176-183 Ciolkowska, Muriel: A Canadian painter: James Wilson Morrice DOI
  • 184-193 Frantz, Henri: The Rouart collection, 4 DOI
  • 194-199 Salaman, Malcolm C.: The soft-ground etchings of Nelson Dawson DOI
  • 199-206 Deubner, L.: The workmen's colonies of the Krupp Company at Essen DOI
  • 206-218 Taylor, Ernest Archibald: The isle of Arran as a sketching-ground DOI
  • 218-249 Studio-Talk DOI
  • 249-251 Reviews and notices DOI
  • 252 The Lay Figure: On the modern appreciation of art DOI
  • XXXVII-XLVII B. Nelson, W. H. de: A country gentleman's farm-house on the Hudson DOI
  • XLVIII-LII Hawley, Walter A.: The value of historic association in the enjoyment of oriental rugs DOI
• Nr. 200 (October, 1913) DOI
  • 255-260 Garstin, Norman: The paintings of A. J. Munnings DOI
  • 260-270 Manson, James Bolivar: Emile A. Verpilleux, wood-engraver and painter DOI
  • 271-275 Etchings and dry-points by William Walker DOI
  • 276-282 Recent designs in domestic architecture DOI
  • 283-288 Charcoal drawings by E. Borough Johnson, R.I. DOI
  • 289-299 Whitley, William Thomas: The national competition of schools of art, 1913 DOI
  • 299-332 Studio-Talk DOI
  • 332-334 Art school notes DOI
  • 334-335 Reviews and notices DOI
  • 336 The Lay Figure: On a confusion of ideals DOI
  • LV-LXI Rainey, Ada: A painter of the figure in sunlight: Lillian Genth DOI
  • LXIII-LXXIII Hunter, George Leland: Tapestries in American museums DOI
  • LXXIV-LXXVI B. Nelson, W. H. de: Charles Conder: an appreciation DOI
  • LXXVII-LXXVIII B. Nelson, W. H. de: Some recent work of Dorothea Warren O'Hara DOI
• 1-22 Werbung
• Maßstab/Farbkeil