LANSDOWNE COLLECTION.
325
HOWARD (H.), R.A., living in 1843.
130 A Woman with, a Guitar. B.
HURLESTONE (F. ¥.), living in 1843.
131 Cupid bending his Bow.—A single figure, three-quarters;
blue drapery. More spirited than ideal in conception.
The colouring rich and animated, the execution slight, and
the drawing rather careless. Painted at Rome in 1835. B.
INSKIPP (J.), living in 1843.
132 A Girl making Lace. B.
JACKSON (John), R.A., b. 1778 ; d. 1831.
133 Portrait of Flaxman, the great Sculptor. L. H.
JERVAS (Charles), d. 1738.
134 Portrait of Alexander Pope.—Three quarters: seated;
leaning on his hand, in a contemplative attitude, the head
raised. This portrait is rendered remarkable and interest-
ing by its authenticity—by its having been the one so often
engraved in Pope’s lifetime and since, and by the cele-
brated verses addressed by the poet to the painter. L. H.
LANDSEER (Edwin), R.A., living in 1843.
135 The Deer Stalkers returning from the Hills.—A bagpiper
and a boy with hounds, lead the procession. Other figures,
with three ponies carrying dead game, are seen crossing a
rustic bridge, while a sportsman stops to converse with a
peasant girl. Several other figures behind; loch and
mountains in the background. A bright and beautiful
picture, full of variety, life, and character. B.
136 A Boar Hunt.—Figures, life size. An early picture of
the artist. B.
LANDSEER (Charles). A brother of the former, living in 1843.
137 Pamela and her Master.—She is hiding the letter she had
just written to her parents. B.
325
HOWARD (H.), R.A., living in 1843.
130 A Woman with, a Guitar. B.
HURLESTONE (F. ¥.), living in 1843.
131 Cupid bending his Bow.—A single figure, three-quarters;
blue drapery. More spirited than ideal in conception.
The colouring rich and animated, the execution slight, and
the drawing rather careless. Painted at Rome in 1835. B.
INSKIPP (J.), living in 1843.
132 A Girl making Lace. B.
JACKSON (John), R.A., b. 1778 ; d. 1831.
133 Portrait of Flaxman, the great Sculptor. L. H.
JERVAS (Charles), d. 1738.
134 Portrait of Alexander Pope.—Three quarters: seated;
leaning on his hand, in a contemplative attitude, the head
raised. This portrait is rendered remarkable and interest-
ing by its authenticity—by its having been the one so often
engraved in Pope’s lifetime and since, and by the cele-
brated verses addressed by the poet to the painter. L. H.
LANDSEER (Edwin), R.A., living in 1843.
135 The Deer Stalkers returning from the Hills.—A bagpiper
and a boy with hounds, lead the procession. Other figures,
with three ponies carrying dead game, are seen crossing a
rustic bridge, while a sportsman stops to converse with a
peasant girl. Several other figures behind; loch and
mountains in the background. A bright and beautiful
picture, full of variety, life, and character. B.
136 A Boar Hunt.—Figures, life size. An early picture of
the artist. B.
LANDSEER (Charles). A brother of the former, living in 1843.
137 Pamela and her Master.—She is hiding the letter she had
just written to her parents. B.