Jameson, Anna: Companion to the most celebrated private galleries of art in London: containing accurate catalogues, arranged alphabetically, for immediate reference, each preceded by an historical & critical introduction, with a prefactory essay on art, artists, collectors & connoisseurs (London: Saunders and Otley, 1844)

326 LANSDOWNE COLLECTION.
LAWRENCE (Sir Thomas), P.R.A., b. 1769; d. Jan. 7, 1830.
138 Portrait of the present Marquess of Lansdowne.—Three
quarters. L. H.
139 Portrait °f the present Marchioness of Lansdowne.—Three
quarters, seated, and landscape background. B.
J40 A Drawing in chalk of the head of Canning.—Life size.
Purchased at the sale of Sir Thomas Lawrence’s effects, in
1831. It is the drawing made for the two famous full-
length portraits of Canning, one in the possession of Sir
Robert Peel, the other in the Windsor Gallery. L. H.
LESLIE (Charles Robert), R.A., living in 1843.
141 Sir Roger de Coverley and the Spectator going to Church.
A composition containing many figures, and altogether a
distinguished example of the style of social elegance and
quiet humour in which Leslie excels. He painted, I think,
two pictures of this subject. I know not whether this was
the original or the duplicate. L. H.
142 Sir Roger de Coverley and the Gipsies.—A group of five
figures, in a rich bit of verdant landscape. Beautiful and
happy in composition and character; rather spotty in effect.
B.
143 Rebecca in her Dungeon.—Small figure, seated; in a tur-
ban and Jewish habit. (From Ivanhoe.) B.
LINNELL (J.), living in 1843.
144 Portrait of Sir Humphry Davy.—Small half length. The
safety lamp on a table near him. L. H.
MACLISE (Daniel), R.A., living in 1843.
145 Sardanapalus watched in his sleep by Myrrha.—(Act iv.,
Scene 1.) A small picture.
MORLAND (G.), b. 1764 ; d. 1804.
146 Two asses in a stable; two men and a boy. B.
NASH (F.), living in 1843.
147 The Interior of a Chapel—with a gothic screen. Several