Penley, Aaron: A System Of Water-Colour Painting: Being A Complete Exposition Of The Present Advanced State Of The Art, As Exhibited In The Works Of The Modern Water-Colour School (London, 1852)

60 INDEX.
PAGE
Clouds, colours for . . . . . .21
-painting of, when under the influence of the sun’s beams . 16
Colour, principles of . . . . . .8
-for Brooks and Streams . . . . .34
-to be driven flatly and in masses . . . .29
Composition, defined ...... 7
Contrasts, how produced, in calm water . . . .31
Cows, colours for . . . . . .56
Daylight Effects in Clouds, how produced . • .21
- Skies, colours for . . . . .19
Dock Leaves, &c., how treated, in foregrounds . . .49
Dogs, colours for ...... 56
Distances, treatment of . . . . . .29
Draperies, carmine used in painting deep . . . .40
Drawing, importance of accuracy in . . . .7
Earth, lumps of, how treated . . . . . 41
Extreme distance, treatment of . . . . .28
-and Middle Distances, importance of . . .29
Ferns, drawings of, in foregrounds . . . .49
Figures to be drawn from Nature . . . .55
Fine-weather clouds . . . . • .17
Fleecy Clouds, mode of painting . . . . .18
Force of Colour, what it is . . . • .23
Foregrounds, accurate studies of objects for . . .48
Foliage ........ 43
■ -in distance, colours for . . . . .28
■ -colours for . . . . . .47
Form, definition of ...... 7
• -to be given to light, in painting running streams . . 33
Forms of Clouds . . . . . .16
■ - of Washes, importance of . . . . .27
- rules for the observations of . . . .43
Glazing Colours, when used in the painting of trees . . 4
Granulation of the paper to be preserved ... 6
* -in cloud painting . . . . .18
Grasses, drawings of in foregrounds . . . .49
Gum-water, use of, in foreground objects . . . .57
Harmony, principle of . . . . . .8
Herbage, in respect of foreground-painting . • • 48
-colouring of, in the distances • • • .29
■ -glazing of, in the distances . . • .28