Penley, Aaron: A System Of Water-Colour Painting: Being A Complete Exposition Of The Present Advanced State Of The Art, As Exhibited In The Works Of The Modern Water-Colour School (London, 1852)

INDEX.

PAGE
Absorbency, effects of too great . . . .26
Air, effects of, to be arrived at in painting ... 6
Autumnal effects in foliage, colours for . . . .47
Banks and Roads ...... 50
■-colours for ...... 52
Bark of Trees, observations upon . . . .44
Baskets, colours for . . . . . .40
Beds of Running Streams . . . . .32
Blackness, caused by use of too much blue, to be avoided . 35
Blotches, to be avoided ...... 29
Boats ........ 39
- serving to give motion and colour in calm water . . 31
Branches, colours for . . . . • .48
Breadth, principle of . . . . . .9
Brighton, note made at . . . . . .37
Broken Greens . . . . . • .50
Brooks and Running Streams . . . . .32
Brooks and Streams, colours for . . ... .34
Brush, how held in painting clouds . . . .17
Buildings ....... 52
Cadmium Yellow, value of, in sunsets and draperies . - 15
Carmine Burnt, used in deep draperies . ■ • .40
Cattle, effect of, in shallow water . . . .31
— ■ sketches to be made and registered . . .55
Chalkiness in middle distance corrected by Indigo . . 27
Chinese White, for smaller lights, in running streams . . 33
--—--how to be manipulated in the painting of running
water ....... 34