[ 8i ]
of Mola, or that lefs attradl the notice o.f
a perfon unufed to painting. Salvator has
a favage grandeur, often in the higheft de«
gree fublime; and fublimity, in any fhape,
will command attention $ but Mola's
fcenes and figures, for the moft part, are
neither fublime nor beautiful; they are
purely pi(fturefque ; his touch is lefs
rough than Salvator’s; his colouring has,
in general, more richnefs and variety j and
his pidtures feem to me the moffc perfed:
examples of the higher ftile of pi&urefque-
nefs: infinitely removed from vulgar na-
ture, but having neither the foftnefs and
delicacy of beauty, nor that grandeur of
conception which produces the fublime.
Voi. I,
G
C H A P-
of Mola, or that lefs attradl the notice o.f
a perfon unufed to painting. Salvator has
a favage grandeur, often in the higheft de«
gree fublime; and fublimity, in any fhape,
will command attention $ but Mola's
fcenes and figures, for the moft part, are
neither fublime nor beautiful; they are
purely pi(fturefque ; his touch is lefs
rough than Salvator’s; his colouring has,
in general, more richnefs and variety j and
his pidtures feem to me the moffc perfed:
examples of the higher ftile of pi&urefque-
nefs: infinitely removed from vulgar na-
ture, but having neither the foftnefs and
delicacy of beauty, nor that grandeur of
conception which produces the fublime.
Voi. I,
G
C H A P-