Print collector's quarterly (4.1914)

and in several others, and again there is the large-
limbed, rather heavy figure which is seen in Summer
(No. 8), in the Stone Bath Series and in most of the
later lithographs. It is significant of the power of the
artist that he is able to apprehend the beauty of two
types so dissimilar, and a reflexion on the lack of versa-
tility of those who become obsessed by a single type
until they are unable to draw any figure that is not a
replica of their previous work.

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