336
Late Medieval and Early Modern Art
that could be explained either by the character of the drawing (an early stage of a design for a
tapestry), or by the different style of his draughtsmanship from the ‘40s. In my opinion, con-
sidering the current state of research, these doubts do not dismiss the attribution to Coecke.
I would like to express my warmest thanks to Dr Magdalena Piwocka of the Wawel Royal Castle for her
comments on this article; to Stijn Alsteens of the Metropolitan Museum of Art in New York for his many
valuable observations about the Warsaw sketch and for our email discussion about Coecke’s drawings
and to Hanna Benesz of the National Museum in Warsaw for being the first to read this text and to give
many valuable comments.
Late Medieval and Early Modern Art
that could be explained either by the character of the drawing (an early stage of a design for a
tapestry), or by the different style of his draughtsmanship from the ‘40s. In my opinion, con-
sidering the current state of research, these doubts do not dismiss the attribution to Coecke.
I would like to express my warmest thanks to Dr Magdalena Piwocka of the Wawel Royal Castle for her
comments on this article; to Stijn Alsteens of the Metropolitan Museum of Art in New York for his many
valuable observations about the Warsaw sketch and for our email discussion about Coecke’s drawings
and to Hanna Benesz of the National Museum in Warsaw for being the first to read this text and to give
many valuable comments.