PREFACE.
Is the present volume offer less variety of subjects than
the two preceding, it may be found, by many, more
interesting, as the greater portion is occupied • with
descriptions of portraits of distinguished persons of the
Venetian, Genoese, and Tuscan States ; of the Courts of
Albert and Ferdinand of Belgium ; of Charles I. of
England, and his family, as well as of the nobility and
public characters of Great Britain ; and also of the most
eminent artists and other celebrated persons of the
same period.
Memoranda of the lineaments of those who have
rendered themselves conspicuous by their military
achievements and political conduct, during the reign of
Charles I., and of the literary characters of that age, must
in all succeeding times be interesting, even if presented
by the pencil of a very ordinary painter ; but when such
are conveyed to posterity by the hand of an artist so pre-
eminent as Van Dyck, they acquire a double value, from
the assurance os their being correct likenesses of the
persons, and also as exhibiting fine examples of art.
Those who have not bestowed attention on the nature
of portraiture, may suppose, that numerous instances of
excellent portrait painters might be adduced as proofs
Is the present volume offer less variety of subjects than
the two preceding, it may be found, by many, more
interesting, as the greater portion is occupied • with
descriptions of portraits of distinguished persons of the
Venetian, Genoese, and Tuscan States ; of the Courts of
Albert and Ferdinand of Belgium ; of Charles I. of
England, and his family, as well as of the nobility and
public characters of Great Britain ; and also of the most
eminent artists and other celebrated persons of the
same period.
Memoranda of the lineaments of those who have
rendered themselves conspicuous by their military
achievements and political conduct, during the reign of
Charles I., and of the literary characters of that age, must
in all succeeding times be interesting, even if presented
by the pencil of a very ordinary painter ; but when such
are conveyed to posterity by the hand of an artist so pre-
eminent as Van Dyck, they acquire a double value, from
the assurance os their being correct likenesses of the
persons, and also as exhibiting fine examples of art.
Those who have not bestowed attention on the nature
of portraiture, may suppose, that numerous instances of
excellent portrait painters might be adduced as proofs