VAN DYCK.
41
Louvre.
Engraved by R. Morghen, and also in the Musee Fran^ais.
This magnificent picture is universally considered to be the best
equestrian portrait known by the master. It was painted about the
year 1632, and was formerly in the Braschi Palace, at Rome.
Valued by the Experts du Musee, in 1816. 40,000^/5. 1600^.
144. Portrait of a Gentleman, with mustacheos. His dress
consists of a full ruff round his neck, and a mantle covering the
body, part of which he holds under his arm.
2 st. 11 in. by 2 st. 6 in.—C.
Engraved in the Musee Fran^ais.
Valued by the Experts du Musee, in 1816. . 600()/s. 240Z.
145. Portraits of Charles-Louis (or Lodowick), the first
Duke of Bavaria, and Robert (or Rupert) his brother, who
was afterwards created Duke of Cumberland by Charles I.
3st. 4 in. by ^ft. 6 in.—C. sabout.)
This is probably the picture which is inserted No. 20, p. 109, in
the catalogue of that monarch’s effects.
Valued by the Experts du Musee, in 1816. . 25,000fs. 1000Z.
Portraits of these Princes are engraved separately by Meyssens,
and anonymous.
Portraits of the above Princes, in one picture, is in the collection
of Lord Bayning.
146. Portrait of the Archduchess Isabella, seen in nearly a
front view, habited in the costume of a religious order, of
which she was chief; her hands, which are united in front,
hold the end of a black silk scarf.
3 st. 4 in, by 2 st. & in.—C.
Engraved by Vosterman, and in the Musee Napoleon by Boutrois.
Portraits of this Princess are also engraved by Van Sompel,
Hondius, and Gaywood. A head only is etched by Geddes.
Valued by the Experts du Musee, in 1816. 10,000/s. 400Z.
41
Louvre.
Engraved by R. Morghen, and also in the Musee Fran^ais.
This magnificent picture is universally considered to be the best
equestrian portrait known by the master. It was painted about the
year 1632, and was formerly in the Braschi Palace, at Rome.
Valued by the Experts du Musee, in 1816. 40,000^/5. 1600^.
144. Portrait of a Gentleman, with mustacheos. His dress
consists of a full ruff round his neck, and a mantle covering the
body, part of which he holds under his arm.
2 st. 11 in. by 2 st. 6 in.—C.
Engraved in the Musee Fran^ais.
Valued by the Experts du Musee, in 1816. . 600()/s. 240Z.
145. Portraits of Charles-Louis (or Lodowick), the first
Duke of Bavaria, and Robert (or Rupert) his brother, who
was afterwards created Duke of Cumberland by Charles I.
3st. 4 in. by ^ft. 6 in.—C. sabout.)
This is probably the picture which is inserted No. 20, p. 109, in
the catalogue of that monarch’s effects.
Valued by the Experts du Musee, in 1816. . 25,000fs. 1000Z.
Portraits of these Princes are engraved separately by Meyssens,
and anonymous.
Portraits of the above Princes, in one picture, is in the collection
of Lord Bayning.
146. Portrait of the Archduchess Isabella, seen in nearly a
front view, habited in the costume of a religious order, of
which she was chief; her hands, which are united in front,
hold the end of a black silk scarf.
3 st. 4 in, by 2 st. & in.—C.
Engraved by Vosterman, and in the Musee Napoleon by Boutrois.
Portraits of this Princess are also engraved by Van Sompel,
Hondius, and Gaywood. A head only is etched by Geddes.
Valued by the Experts du Musee, in 1816. 10,000/s. 400Z.