VAN DYCK.
199
693. Portrait of the Duchess of Braganza.
Now in the collection of S. Fox, Esq. Osmaston.
The preceding three portraits are quoted from Dallaway’s
Walpole.
694- Portrait of Theodore Rogiers, a goldsmith and model-
ler in wax. The face is turned above three quarters from the
spectator; the right arm leans on the base of a column, and the
left hand is placed on the waist.
Engraved by P. Clouet.
695. Portrait of Antoine de Bourbon, Count de Moret. He is
represented in a three-quarter view, with thick bushy hair, mus-
tacheos, and a small tuft of beard. His dress consists of black
silk, slashed in the arms and body, and a broad indented collar.
The right arm leans on a table, and the left hand holds the hilt
of his sword.
Engraved by P. Baillu.
The same portrait, reversed, with a plain collar and showing only
part of the hands, is engraved by Moncornet.
696. Portrait of a Gentleman, seen in a three-quarter view,
with the eyes looking in a contrary direction. He has curling
hair, a small beard, and mustacheos ; and wears a fur cloak
over the shoulders, and a narrow lace frill round the neck.
Engraved by J. E. Marais, 1795.
697. Portrait of a Gentleman, represented in a three-quarter
view, with scanty hair on his head. He is dressed in black
figured silk, with a pendent collar, edged with lace; his hat and
gloves are in one hand, and the other rests on a covered table.
Engraved by T. V. Cruys.
698. Portrait of Ferdinand III. of Austria, King of Rome.
The face is represented in nearly a front view, with a wreath of
199
693. Portrait of the Duchess of Braganza.
Now in the collection of S. Fox, Esq. Osmaston.
The preceding three portraits are quoted from Dallaway’s
Walpole.
694- Portrait of Theodore Rogiers, a goldsmith and model-
ler in wax. The face is turned above three quarters from the
spectator; the right arm leans on the base of a column, and the
left hand is placed on the waist.
Engraved by P. Clouet.
695. Portrait of Antoine de Bourbon, Count de Moret. He is
represented in a three-quarter view, with thick bushy hair, mus-
tacheos, and a small tuft of beard. His dress consists of black
silk, slashed in the arms and body, and a broad indented collar.
The right arm leans on a table, and the left hand holds the hilt
of his sword.
Engraved by P. Baillu.
The same portrait, reversed, with a plain collar and showing only
part of the hands, is engraved by Moncornet.
696. Portrait of a Gentleman, seen in a three-quarter view,
with the eyes looking in a contrary direction. He has curling
hair, a small beard, and mustacheos ; and wears a fur cloak
over the shoulders, and a narrow lace frill round the neck.
Engraved by J. E. Marais, 1795.
697. Portrait of a Gentleman, represented in a three-quarter
view, with scanty hair on his head. He is dressed in black
figured silk, with a pendent collar, edged with lace; his hat and
gloves are in one hand, and the other rests on a covered table.
Engraved by T. V. Cruys.
698. Portrait of Ferdinand III. of Austria, King of Rome.
The face is represented in nearly a front view, with a wreath of