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Smith, John
A catalogue raisonné of the works of the most eminent Dutch, Flemish, and French painters: in which is included a short biographical notice of the artists, with a copious description of their principal pictures : a statement of the prices at which such pictures have been sold at public sales on the continent and in England; a reference the the galleries and private collections in which a large portion are at present; and the names of the artists by whom they have been engraved; to which is added, a brief notice of the scholars & imitators of the great masters of the above schools (Part 3) — London: Smith and Son, 1831

DOI chapter:
The Works of Anthony Van Dyck
DOI Page / Citation link:
https://doi.org/10.11588/diglit.62914#0244
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VAN DYCK.

A portrait of the preceding lady, corresponding in description with
the above, is in the possession of William Earle, Esq., Liverpool.
714. Portrait of Lord Honorus D’Urphe, when about thirty-
six years of age, represented in a three-quarter view, with
curling bushy hair. The dress is composed of a silk vest, a
rich lace frill, and a mantle, which covers the right arm and
part of the hand, while the left, holding a glove, rests on the
back of a chair.
Engraved by Baillu.
A portrait of the same person is engraved, oval, by Van Schuppen.
715. Portrait of Margaret, Princess of Lorraine and Duchess
d’Orleans. She is attired in a silk dress, with a pearl neck-
lace suspended in front, one end of which is attached to a
bow; her right hand is placed on the bodice.
Engraved by Bolswert.
A portrait of the same lady, having a portly countenance, seen in
a three-quarter view, with short bushy hair, the neck adorned
with pearls, and a lace frill round the bosom, is engraved, in an em-
bellished oval, by P. V. Sompel.
716. Portrait of Maria Margaret de Barlemont, Countess of
Egmont, when about twenty-five years of age, seen in a three-
quarter view, with her hair falling in ringlets on her shoulders,
and her head adorned with jewels. She is habited in a plain
white dress, leaving the bosom exposed. Her left hand holds up
a scarf, and the right hangs gracefully at the side.
Engraved by J. Neefs.
717. Portrait of William James Sgravesande, a mathema-
o 7
tician. Improperly attributed to Van Dyck.
Engraved by Houbraken.

718. Portrait of Erasmus. His thin and expressive coun-
tenance is seen in nearly a profile view, with a square-shaped
cap on the head. He is dressed in a furred mantle, and appears
 
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