188 CLAUDE LORRAINE.
severe attack of this disease, attended with acute sever,
on the 21st of November, 1682, and died, aged 82.
The highest respect was shown by many of the most
distinguished persons at Rome to the remains of the
deceased artist. His bier was conducted with suitable
ceremony to the Church of the Trinita del Monte de’
Frati Minori, where, after the accustomed obsequies, it
was interred near the Chapel of the most Holy
Nunziata, and a marble monument erected to his
memory, on which was inscribed
D. 0. M.
Claudio Gellee Lotaringo
Ex Loco de Chamagne orto,
Pictori eximio.
Qui ipsas orientis et occidentis,
Solis radis in campestribus
Morifice pingendis offinixit.
Hei in urbe ubi artem coluit
Summan laudem inter magnates
Consectus est.
Obiit. IX, Kalend. Decembris, M.D.C.LXXXII,
JEtatis suEB ami. LXXXII,
Joan et Josephus Gellee.
Patrico carissimo monumentem hoc
Sibt Posterisque suis
Poni aurarunt.
Claude added to a kind and amiable disposition,
an unimpeachable moral character, and this feeling
he extended even to the subjects which embellish his
pictures.
severe attack of this disease, attended with acute sever,
on the 21st of November, 1682, and died, aged 82.
The highest respect was shown by many of the most
distinguished persons at Rome to the remains of the
deceased artist. His bier was conducted with suitable
ceremony to the Church of the Trinita del Monte de’
Frati Minori, where, after the accustomed obsequies, it
was interred near the Chapel of the most Holy
Nunziata, and a marble monument erected to his
memory, on which was inscribed
D. 0. M.
Claudio Gellee Lotaringo
Ex Loco de Chamagne orto,
Pictori eximio.
Qui ipsas orientis et occidentis,
Solis radis in campestribus
Morifice pingendis offinixit.
Hei in urbe ubi artem coluit
Summan laudem inter magnates
Consectus est.
Obiit. IX, Kalend. Decembris, M.D.C.LXXXII,
JEtatis suEB ami. LXXXII,
Joan et Josephus Gellee.
Patrico carissimo monumentem hoc
Sibt Posterisque suis
Poni aurarunt.
Claude added to a kind and amiable disposition,
an unimpeachable moral character, and this feeling
he extended even to the subjects which embellish his
pictures.