Smith, John: A catalogue raisonné of the works of the most eminent Dutch, Flemish, and French painters: in which is included a short biographical notice of the artists, with a copious description of their principal pictures : a statement of the prices at which such pictures have been sold at public sales on the continent and in England; a reference the the galleries and private collections in which a large portion are at present; and the names of the artists by whom they have been engraved; to which is added, a brief notice of the scholars & imitators of the great masters of the above schools (Band 9): Supplement (London: Smith and Son, 1842)

288 PETER PAUL RUBENS.
163. Christ raising Lazarus. This admirable picture is
composed of six figures, and represents the Saviour, clothed
in a white vesture and a scarlet mantle, standing in a profile
view on the left, with his arms extended and his attention
stedfastly directed to Lazarus, who has quitted the tomb and
is bending in grateful adoration to his deliverer; his two
sisters are on their keees, one of whom is removing his grave-
clothes, and the other is looking with an expression of
affection at the Saviour. The two remaining persons appear
to be disciples; one of them is assisting Martha, and the
other is bending forward to convince herself of the reality of
the miracle. This is a well-studied work of the master.—
Description No. 357. Vol. il, improved and corrected.
8/L 51 by6/L 3|.—C.
In the Museum at Berlin.

164. The Apotheosis of Psyche. No. 358, Vol. n., is a
copy.
164.*The Assumption of the Virgin. No. 359. Vol. II., is
a copy.
In the old Palace at Berlin.

165. Hercules strangling the Nemean Lion. Described
No. 361, Vol. n. For size read,
About 5 ft. 6 by 5 st. 6.—C.
In the old Palace at Berlin.

166. The Infant Saviour and St. John playing with a
lamb. See description, No. 366, Vol. n., and read:—A
third print, of an upright form, and with a reed cross lying
on the foreground, is engraved by G. Huberti.
In the Gallery of the Sans Souci at Potsdam.