DOI Heft:
No. 57 (December 1897)
DOI Artikel:Studio-talk
DOI Seite / Zitierlink:https://doi.org/10.11588/diglit.18390#0240
Studio- Talk
trial art section of the
Munich exhibition this
year by two very beauti-
ful and original works—a
music-box in mahogany,
with cloors ornamented
with paintings in a tech-
nique invented by herself,
and a mirror, the frame-
work of which was painted
in similar fashion.
Fritz Von Uhde's paint-
ing, Richard III., of which
an illustration is here
given, was fully described
and criticised in the article
upon the Munich Exhibi-
tion in the August number
of The Studio.
G. K.
IENNA.—The
interest in
the Applied
Arts is grow-
ing from day
to day here, and there are
two new collections now
on view, one comprising
some interesting specimens
of ceramic art by Von
Heider, exhibited at the
Garten bau-Gesellschaft,
and the other containing
the latest work of a young
Austrian artist, Alphons
"riciiard in." from a painting by fritz vox uhde Mucha, whose posters have
been so much in vogue in
Paris since the success of
remarkable for her delightfully delicate sense of his Gismonda, the affiche for Madame Sarah Bern-
colour. She handles her materials in truly artistic hardt, at the Renaissance. The book illustrations
fashion, working out her colour schemes and light for the Oriental fairy tale, " Usee, Princesse de
effects with indefatigable perseverance, and striv- Tripoli" are much admired here, on account of
ing with nervous energy and entire conscientious- their tasteful arrangement and adaptation of flower
ness to realise the desired results. Her work ornament and figures, and the artist's nice sense of
consists of portraits (that of her father being one colour. This exhibition also contains some good
of the best), delicately coloured still-life studies, pencil and pen drawings, which demonstrate the
and pictures of a religious nature, the Annuncia- artist's characteristics better than anything else,
tion being one of the subjects of which she is The designs for stained-glass windows are likewise
particularly fond, and one which she is ever treat- seen to advantage in the discreet and artistic
ing in some new light. Linda Kegel handles the arrangement of Artaria and Co.'s Salons, and the
etching needle with the same firmness and artistry whole impression is indeed a very favourable one.
as the brush. She was represented in the indus- This little exhibition should be conducive to good
196
trial art section of the
Munich exhibition this
year by two very beauti-
ful and original works—a
music-box in mahogany,
with cloors ornamented
with paintings in a tech-
nique invented by herself,
and a mirror, the frame-
work of which was painted
in similar fashion.
Fritz Von Uhde's paint-
ing, Richard III., of which
an illustration is here
given, was fully described
and criticised in the article
upon the Munich Exhibi-
tion in the August number
of The Studio.
G. K.
IENNA.—The
interest in
the Applied
Arts is grow-
ing from day
to day here, and there are
two new collections now
on view, one comprising
some interesting specimens
of ceramic art by Von
Heider, exhibited at the
Garten bau-Gesellschaft,
and the other containing
the latest work of a young
Austrian artist, Alphons
"riciiard in." from a painting by fritz vox uhde Mucha, whose posters have
been so much in vogue in
Paris since the success of
remarkable for her delightfully delicate sense of his Gismonda, the affiche for Madame Sarah Bern-
colour. She handles her materials in truly artistic hardt, at the Renaissance. The book illustrations
fashion, working out her colour schemes and light for the Oriental fairy tale, " Usee, Princesse de
effects with indefatigable perseverance, and striv- Tripoli" are much admired here, on account of
ing with nervous energy and entire conscientious- their tasteful arrangement and adaptation of flower
ness to realise the desired results. Her work ornament and figures, and the artist's nice sense of
consists of portraits (that of her father being one colour. This exhibition also contains some good
of the best), delicately coloured still-life studies, pencil and pen drawings, which demonstrate the
and pictures of a religious nature, the Annuncia- artist's characteristics better than anything else,
tion being one of the subjects of which she is The designs for stained-glass windows are likewise
particularly fond, and one which she is ever treat- seen to advantage in the discreet and artistic
ing in some new light. Linda Kegel handles the arrangement of Artaria and Co.'s Salons, and the
etching needle with the same firmness and artistry whole impression is indeed a very favourable one.
as the brush. She was represented in the indus- This little exhibition should be conducive to good
196