Studio: international art (39.1907)

Studio-Talk

For the moment, however,
art is almost wholly un-
affected by this tendency.
Bocklin, in spite of his
great fame, has found many
vigorous assailants, and, ii
we except a few servile
imitators, it cannot be said
that he has left behind him
a school to carry on his
teaching. In fact, he is
everywhere regarded almost
as a danger, and one is

PTAOTIFTTE BY O. SPANIEL c . ,

1*. afraid to compromise one-

self with him. The names

understood by all. Works such as these might by which masters and pupils alike swear are those of
well be selected for the decoration of schools. Leibl and Liebermann. There may be important

exceptions—that is not to be denied—but the pre-

M

UNICH.—The drift in German litera- vailing tendency in art is anti-romanticist,
ture nowadays is strongly towards a

revival of romanticism; this is a fact To these exceptions belongs Herman Frobenius,
which is made plainer every day, and one of whose works is here reproduced. He is an
it is especially manifest in poetry and criticism, outspoken romanticist, which means that he is one

" LE PORT "

74

(By permission o) M. Vemeati)

FROM THE COLOUR PRINT BY HENRI RIVIERE