DOI issue:
No. 164 (November, 1906)
DOI article:Studio-talk
DOI Page / Citation link:https://doi.org/10.11588/diglit.20716#0180
Studio- Talk
artist in a different phase
to his recent exhibition.
His note in purple and
green was a charming re-
velation of colour.
At the Baillie Gallery
last month Mr. H. Ray-
mond Thompson exhibited
some paintings, many of
them decorative in aim,
characterised by able com-
position and a developing
sense of colour. The water-
colours of West Sussex at
the same gallery by Mr.
H. L. Dell were fresh and
interesting. A room de-
voted to Mr. W. Westley
"birches" by bernard schregel _ _ . , . . , ,
Manning s paintings showed
that painter at his best:
give adequate indication of the lines along which some paintings made at Walberswick being espe-
individually the painters represented have de- cially noticeable for their skill.
veloped. Trouble has been taken to select the -
work of those artists whose work endowed the It is always agreeable to be able to criticise
exhibition with its distinctive character. A group favourably the work of students, and in the
of bronzes by Mr. Charles van Wyk also formed exhibition of the London School of Art, recently
part of the exhibition, and of these we reproduce held at the Stratford Studios, Kensington, there
three examples. was much work of considerable promise which
-- could be legitimately praised. The school has.
An exhibition of oil paintings and sketches, by only been opened twelve months, but it has already
Messrs. J. Coutts Michie,
J. L. Pickering, W. Llewel-
lyn, Tom Robertson, and
A. L. Baldry was held at the
Ryder Gallery in October.
Mr. Coutts Michie's land-
scapes, with their economy
and simplicity of handling,
were restful and distin-
guished. The water-colours
of Mr. Pickering were
entirely successful in their
intentions. Although Mr.
Llewellyn's time is so suc-
cessfully absorbed in por-
traiture, as a landscape
painter he is always very
interesting. Mr. Robert-
son's vitality and resource
in painting were very effec-
tively in evidence; while
the paintings by Mr. Bal-
dry showed the critic as "clearing up the wood" by c. p. gruppe
i 60
artist in a different phase
to his recent exhibition.
His note in purple and
green was a charming re-
velation of colour.
At the Baillie Gallery
last month Mr. H. Ray-
mond Thompson exhibited
some paintings, many of
them decorative in aim,
characterised by able com-
position and a developing
sense of colour. The water-
colours of West Sussex at
the same gallery by Mr.
H. L. Dell were fresh and
interesting. A room de-
voted to Mr. W. Westley
"birches" by bernard schregel _ _ . , . . , ,
Manning s paintings showed
that painter at his best:
give adequate indication of the lines along which some paintings made at Walberswick being espe-
individually the painters represented have de- cially noticeable for their skill.
veloped. Trouble has been taken to select the -
work of those artists whose work endowed the It is always agreeable to be able to criticise
exhibition with its distinctive character. A group favourably the work of students, and in the
of bronzes by Mr. Charles van Wyk also formed exhibition of the London School of Art, recently
part of the exhibition, and of these we reproduce held at the Stratford Studios, Kensington, there
three examples. was much work of considerable promise which
-- could be legitimately praised. The school has.
An exhibition of oil paintings and sketches, by only been opened twelve months, but it has already
Messrs. J. Coutts Michie,
J. L. Pickering, W. Llewel-
lyn, Tom Robertson, and
A. L. Baldry was held at the
Ryder Gallery in October.
Mr. Coutts Michie's land-
scapes, with their economy
and simplicity of handling,
were restful and distin-
guished. The water-colours
of Mr. Pickering were
entirely successful in their
intentions. Although Mr.
Llewellyn's time is so suc-
cessfully absorbed in por-
traiture, as a landscape
painter he is always very
interesting. Mr. Robert-
son's vitality and resource
in painting were very effec-
tively in evidence; while
the paintings by Mr. Bal-
dry showed the critic as "clearing up the wood" by c. p. gruppe
i 60