The Alexander Young Collection—III. Some Barbizon Pictures
of colour one must turn to
his figure work, and as an
example of this, the most
prolific phase of his earlier
art, we cannot do better
than take the Fete Cham-
■bUre (p. 195), rivalling in
the jewel-like quality of its
rich hues the productions of
Monticelli, and somewhat
reminiscent of that remark-
able artist in the arrange-
ment and composition. It
is not possible to describe
here the many beautiful
notes of colour to be found
in this work, all introduced
with an exquisite and un-
" THE FISHERMAN SUNSET" BY N. DIAZ Qf
harmony. Amongst his
the play of sunlight penetrating the foliage. Both other works of this class, Susannah, Wood Nymphs
pictures, though dark in tone, are characterised by (p. 197), and Turkish Women (p. 205) should be
beauty of colour and the successful rendering of mentioned.
light and shade. But to realise Diaz as a master One of the most interesting and, indeed, one of
"THE POOL IN THE WOOD"
194
BY N. DIAZ
of colour one must turn to
his figure work, and as an
example of this, the most
prolific phase of his earlier
art, we cannot do better
than take the Fete Cham-
■bUre (p. 195), rivalling in
the jewel-like quality of its
rich hues the productions of
Monticelli, and somewhat
reminiscent of that remark-
able artist in the arrange-
ment and composition. It
is not possible to describe
here the many beautiful
notes of colour to be found
in this work, all introduced
with an exquisite and un-
" THE FISHERMAN SUNSET" BY N. DIAZ Qf
harmony. Amongst his
the play of sunlight penetrating the foliage. Both other works of this class, Susannah, Wood Nymphs
pictures, though dark in tone, are characterised by (p. 197), and Turkish Women (p. 205) should be
beauty of colour and the successful rendering of mentioned.
light and shade. But to realise Diaz as a master One of the most interesting and, indeed, one of
"THE POOL IN THE WOOD"
194
BY N. DIAZ