DOI issue:
No. 166 (January, 1907)
DOI article:Studio-talk
DOI Page / Citation link:https://doi.org/10.11588/diglit.20716#0375
Studio- Talk
■ i ri'irillBP'
advance on preceding ex-
hibitions, and there are to
be found several works
which fully deserve atten-
tion. Le Clown, by Felix
Borchardt, is a colourist's
tour de force, and shows us
that this already well-known
open-air artist is capable of
succeeding in interiors of
extremely subtle expression.
The landscapists do not fail
us, and even though M.
Boucher and M. Fouri6 tell
us nothing new, I may say,
on the other hand, that M.
Waidmann is making rapid
progress. Here we have a
serious determined artist,
enamoured of the pic-
■"maisons en suisse" by g. courbet turesque, and devoted to
painting the landscapes
green, ever sober, yet warm; Courbet's own that were so dear to the lamented Thaulow.
secret. M_ Chialiva is a sober, restrained artist, with a
palette capable of fine moments; his Bords de
As everyone knows, Courbet spent his last I'Oise, his Poulailler and his Deversoir are loving
years in Switzerland, at the extremity of the lyrics of rustic life. Among the English artists
Lake of Geneva; after the Commune, in which one must note with respect Mr. Lorimer, who, in
he took a conspicuous part, he could not very his Adieu aux Hirondelles, is still the delicate, sensi-
well return to France. While at Vevey Courbet tive artist we have known him to be. Grimelund
devoted all his time to painting; and though his and Harrison send several charming views of
pictures done at this time were not perhaps his nature, of no great depth perhaps, and of Du
best, some of them were
quite beautiful, as witness
his Chateau de Chillon,
now reproduced. Courbet
was an admirable painter
of animals. He knew not
only the decorative rich-
ness of the forest, but
also its inhabitants. His
Chevreuil, which was dis-
played here, is one of his
finest efforts.
The Socidte Inter-
nationale, in accordance
with its annual custom,
starts the series of big
exhibitions. Its twenty-
fourth display—that of a
In ,
group which, once among
the most brilliant, dropped thb neighb0ur>s garden " by august kuhles
into decadence — shows (See Munich Studio-Talk)
355
■ i ri'irillBP'
advance on preceding ex-
hibitions, and there are to
be found several works
which fully deserve atten-
tion. Le Clown, by Felix
Borchardt, is a colourist's
tour de force, and shows us
that this already well-known
open-air artist is capable of
succeeding in interiors of
extremely subtle expression.
The landscapists do not fail
us, and even though M.
Boucher and M. Fouri6 tell
us nothing new, I may say,
on the other hand, that M.
Waidmann is making rapid
progress. Here we have a
serious determined artist,
enamoured of the pic-
■"maisons en suisse" by g. courbet turesque, and devoted to
painting the landscapes
green, ever sober, yet warm; Courbet's own that were so dear to the lamented Thaulow.
secret. M_ Chialiva is a sober, restrained artist, with a
palette capable of fine moments; his Bords de
As everyone knows, Courbet spent his last I'Oise, his Poulailler and his Deversoir are loving
years in Switzerland, at the extremity of the lyrics of rustic life. Among the English artists
Lake of Geneva; after the Commune, in which one must note with respect Mr. Lorimer, who, in
he took a conspicuous part, he could not very his Adieu aux Hirondelles, is still the delicate, sensi-
well return to France. While at Vevey Courbet tive artist we have known him to be. Grimelund
devoted all his time to painting; and though his and Harrison send several charming views of
pictures done at this time were not perhaps his nature, of no great depth perhaps, and of Du
best, some of them were
quite beautiful, as witness
his Chateau de Chillon,
now reproduced. Courbet
was an admirable painter
of animals. He knew not
only the decorative rich-
ness of the forest, but
also its inhabitants. His
Chevreuil, which was dis-
played here, is one of his
finest efforts.
The Socidte Inter-
nationale, in accordance
with its annual custom,
starts the series of big
exhibitions. Its twenty-
fourth display—that of a
In ,
group which, once among
the most brilliant, dropped thb neighb0ur>s garden " by august kuhles
into decadence — shows (See Munich Studio-Talk)
355