Studio: international art (41.1907)

Studio- Talk

alone in its mystic beauty
and peculiar atmospheric
qualities. This painter's
unique work has been
termed "the impressionism
of Whistler projected into
infinite possibilities."

A great picture of the ex-
hibition was Robert Henri's
Spanish Dancer, a wonder-
ful piece of work, virile and
compelling, and done with
bold, impassioned strokes
of the brush. The bold-
ness of the pose, the devilry
in the black eyes, the won-
derfully painted arm, throat
and chest, made an ensemble
pulsating with life and
colour. Other figure sub-

"the turkey hunter" by e. irving couse jects worthy 0f mention

(Photo. /. A. Lyon, New Orleans) J J

were Douglas Volk's Boy
■with Arrow, Walter Mc-

Sentinel Pines, satisfying in the simplicity of its Ewen's The Secretary, Luis Mora's Spanish Lady
composition and in the harmony of its colour and Maid, Henry Mosler's Dutch Woman, Charles
relations; E. Irving Couse's
Turkey Hunter; Night—The
Pool, by Harry Haviland Osgood,
a picture in which the mysterious
charm of the "huge and thought-
ful night" is wonderfully em-
bodied; Lewis Cohen's Autumn,
vigorously but delicately painted
and exquisite in colouiing; The
Sycamore, by W. L. Lathrop ;
Ben Foster's After the Rain;
A. T. Van Laer's characteristic
Evening; an exquisite sunset
scene by R. C. Minor; A Coming
Storm by A. H. Wyant (deceas-
ed) ; Isaac Josephi's daintily
painted Landscape; The Lilli-
putian Boatlake, a graceful piece
of work by William Chase;
Arthur Parton's Summer
Showers; R. A. Blakelock's
Cloudy Morn, Maine; Arthur
Dawson's Wood Lnterior; Woods
in Spring, by Leonard Ocht-
man; Wm. Howe's On the Road
to Market; and W. Merritt
Post's Lowland Farm. Leon
Dabo's Hudson River stood " the sycamore " (Photo. J. A. Lyon, New Orleans) by w. l. lathrop

82