DOI issue:
No. 174 (September, 1907)
DOI article:Studio-talk
DOI Page / Citation link:https://doi.org/10.11588/diglit.20775#0345
Studio-Talk
tion. A more serious phase
of his art was seen in a draw-
ing of St. James's Hall which
he made when that build-
ing was in course of demo-
lition, and which was a
notable feature at a recent
exhibition of the New
English Art Club.
The exhibition of Mr.
Paul Maitland's paintings
at the Paterson , Gallery,
Bond Street, showed that
painter's always interesting
work to advantage. His
only rival in a certain deli-
cate manipulation of the oil
medium and refinement of
view was his pupil, the late
Mr. W. Osborn, of whose
work some specimens were
also to be seen on this occa-
sion. Perhaps the latter's
was the purer sense of
SKETCH IN LEAD PENCIL BY MUIRHEAD BONE colour, though ill the pic-
tures of both of these
his art, and the richness of the vein which his artists a tendency to gloom is noticeable, which
sympathy has discovered in the everyday aspects Whistler, evidently their master, proved was not
of the streets. Perhaps, though, it is a hint that the necessary adjunct of low-toned painting.
we should not take his artistic persiflage too -
seriously that in one little sketch the name on a We reproduce a pastel and a water-colour by
brewer's dray has been spelt with so much delibera- Mrs. Mabelle Unwin, whose exhibits at the Society
SKETCH IN LEAD PENCIL
BY MUIRHEAD BONE
3°7
tion. A more serious phase
of his art was seen in a draw-
ing of St. James's Hall which
he made when that build-
ing was in course of demo-
lition, and which was a
notable feature at a recent
exhibition of the New
English Art Club.
The exhibition of Mr.
Paul Maitland's paintings
at the Paterson , Gallery,
Bond Street, showed that
painter's always interesting
work to advantage. His
only rival in a certain deli-
cate manipulation of the oil
medium and refinement of
view was his pupil, the late
Mr. W. Osborn, of whose
work some specimens were
also to be seen on this occa-
sion. Perhaps the latter's
was the purer sense of
SKETCH IN LEAD PENCIL BY MUIRHEAD BONE colour, though ill the pic-
tures of both of these
his art, and the richness of the vein which his artists a tendency to gloom is noticeable, which
sympathy has discovered in the everyday aspects Whistler, evidently their master, proved was not
of the streets. Perhaps, though, it is a hint that the necessary adjunct of low-toned painting.
we should not take his artistic persiflage too -
seriously that in one little sketch the name on a We reproduce a pastel and a water-colour by
brewer's dray has been spelt with so much delibera- Mrs. Mabelle Unwin, whose exhibits at the Society
SKETCH IN LEAD PENCIL
BY MUIRHEAD BONE
3°7