DOI issue:
Nr. 192 (March 1909)
DOI article:Studio-talk
DOI Page / Citation link:https://doi.org/10.11588/diglit.20966#0183
Studio-Talk
“the black bull” (carved ebony)
Joanowitsch, Pochwalski, Adams, von Ferraris,
Jehudo Eppstein, Schattenstein, Scharf, Krausz,
Walter Schiff and others. Nicolaus Schattenstein’s
portrait of Herr M. R. (p. 159) deservedly won
warm praise bo'h from laymen and brother artists,
among them Herr von Angeli, the president of the
Genossenschaft. Its chief merit lies in the fact
of its absolute simplicity in arrangement and its
harmonious colouring, as also in the intimate
understanding of his sitter. The same artist’s
picture of the little Baroness von G. is a charm-
ing and dainty rendering of child life. W. Victor
Krausz was at his best in his portrait of Frau
Prof. Gobel, as also in another rendering of
Miss Thompson, whose portrait by this artist
was lately reproduced in The Studio. Victor
Scharf’s portrait of an old lady (p. 158) breathes
an old-world spirit which is fast vanishing with
the march of civilisation. John Quincey Adams’
portrait of Frdulein Marberg as Iolanthe in the
“Teufel ” is at once a beautiful bit of colouring
and an excellent portrait. The warm blue mantle
in which the actress is enveloped admirably con-
trasts with the grey chinchilla bordering it and
the fine rosy flesh tones of the neck and face.
His double portrait of a lady and gentleman
in riding dress, destined to occupy a niche in a
wall, is daring in treatment, and though the
portraits are excellent the drawing of the horse
in the background is not wholly satisfactory.
Arthur von Ferraris was successful in his Study
of a Lady and Portrait of a Child,, the latter
attractive in its simplicity of treatment and colour
contrasts. Paul Joanowitsch also exhibited
MARBLE BUST BY ALBERT SCHLOSS
l6l
Among the landscape
painters Rudolf Quittner
was represented by two
characteristic pictures full
of poetic beauty. M. Sup-
pantschitsch knows his
Austria well and seeks his
motives in her rich scenery,
and the same with Ferd-
inand Brunner. Hans
Ranzoni showed some
lovely bits of landscape
which prove that this artist
has not lost his cunning. Eduard Ameseder,
Raimund Germela, E. Baschny, J. Nep Geller,
Frau Tina Blau, J. Jungwirth, Frau Florian Wiesin-
ger, Max von Poosch and Adolf Schwarz were well
represented, as also Eduard Zetsche, whose bits
of landscape have their personal touch and are
BY FRANZ ZELEZNY
n-.„. - r I
some good portraits, not-
ably one of a lady in a
pale - green evening dress.
K. Pochwalski’s portrait of
a Polish gentleman belongs
to the artist’s best work.
“the black bull” (carved ebony)
Joanowitsch, Pochwalski, Adams, von Ferraris,
Jehudo Eppstein, Schattenstein, Scharf, Krausz,
Walter Schiff and others. Nicolaus Schattenstein’s
portrait of Herr M. R. (p. 159) deservedly won
warm praise bo'h from laymen and brother artists,
among them Herr von Angeli, the president of the
Genossenschaft. Its chief merit lies in the fact
of its absolute simplicity in arrangement and its
harmonious colouring, as also in the intimate
understanding of his sitter. The same artist’s
picture of the little Baroness von G. is a charm-
ing and dainty rendering of child life. W. Victor
Krausz was at his best in his portrait of Frau
Prof. Gobel, as also in another rendering of
Miss Thompson, whose portrait by this artist
was lately reproduced in The Studio. Victor
Scharf’s portrait of an old lady (p. 158) breathes
an old-world spirit which is fast vanishing with
the march of civilisation. John Quincey Adams’
portrait of Frdulein Marberg as Iolanthe in the
“Teufel ” is at once a beautiful bit of colouring
and an excellent portrait. The warm blue mantle
in which the actress is enveloped admirably con-
trasts with the grey chinchilla bordering it and
the fine rosy flesh tones of the neck and face.
His double portrait of a lady and gentleman
in riding dress, destined to occupy a niche in a
wall, is daring in treatment, and though the
portraits are excellent the drawing of the horse
in the background is not wholly satisfactory.
Arthur von Ferraris was successful in his Study
of a Lady and Portrait of a Child,, the latter
attractive in its simplicity of treatment and colour
contrasts. Paul Joanowitsch also exhibited
MARBLE BUST BY ALBERT SCHLOSS
l6l
Among the landscape
painters Rudolf Quittner
was represented by two
characteristic pictures full
of poetic beauty. M. Sup-
pantschitsch knows his
Austria well and seeks his
motives in her rich scenery,
and the same with Ferd-
inand Brunner. Hans
Ranzoni showed some
lovely bits of landscape
which prove that this artist
has not lost his cunning. Eduard Ameseder,
Raimund Germela, E. Baschny, J. Nep Geller,
Frau Tina Blau, J. Jungwirth, Frau Florian Wiesin-
ger, Max von Poosch and Adolf Schwarz were well
represented, as also Eduard Zetsche, whose bits
of landscape have their personal touch and are
BY FRANZ ZELEZNY
n-.„. - r I
some good portraits, not-
ably one of a lady in a
pale - green evening dress.
K. Pochwalski’s portrait of
a Polish gentleman belongs
to the artist’s best work.