DOI Heft:
No. 217 (April, 1911)
DOI Artikel:Studio-talk
DOI Seite / Zitierlink:https://doi.org/10.11588/diglit.20972#0264
Studio- Talk
life displayed the effective draughtsmanship of
Georg Brandt. Lovis Corinth proved his pro-
minence both in detailed and in summarising
statements, and the landscapist Paul Baum
gave evidence of his candid devotion to pointil-
lism also in black and white. Franz Chris-
tophe, whose pencil often roves in the gallant
sphere of all sorts of historical phases, again
produced clever drawings with his precise con-
tours. The round and firm line of that grim
humorist Heinrich Zille, was to be studied in
a series of coloured drawings.
Etching occupied an important part in the
exhibition, so that the victorious advance of this
fascinating branch of art became evident. Paul
Paeschke, a pupil of the Berlin Academy, was
strongly remarked for his capability of grasping
the bustle of Berlin suburban life and atmo-
spheric unrest, in a clever combination of etching
and dry point occasionally accentuated with
colour. Another new name was Wilhelm Giese
from Magdeburg, whose drawings and etchings
of wharves, rivers, harbours, markets, and herds,
vouched for an artist of high reliability and
old woman in the pew " (etching) . ' . . . . , ,. ,
by wilhelm giese pictorial qualities. As an etcher he discards
all auxiliary arts and revels in the precision
aim, and art-lovers and art-collectors had every of the bitten line. Also Karl Hausel, Ernst
reason to feel grateful for the Herculean la- Gabler and Hermine Lionette David introduced
bour of sifting about a
thousand exhibits from
the large mass of works
sent in. The jury ad-
ministered its office
without dogmatism of
any kind.
Drawings formed the
salient feature of the
exhibition and disclosed
a great diversity of me-
thod and mood. There
were gifts of mature
masters like Richard
Miiller and Otto Greiner,
whose hands accomplish
so perfectly what they
wish to' render. M.
Brandenburg, the seer
of the unseen, succeeded
in representing the race
of passions by a tem-
pestuous inspiration;
and sensational motifs
from war and criminal "the skating pond" (wood engraving) by Walter klemm
242
life displayed the effective draughtsmanship of
Georg Brandt. Lovis Corinth proved his pro-
minence both in detailed and in summarising
statements, and the landscapist Paul Baum
gave evidence of his candid devotion to pointil-
lism also in black and white. Franz Chris-
tophe, whose pencil often roves in the gallant
sphere of all sorts of historical phases, again
produced clever drawings with his precise con-
tours. The round and firm line of that grim
humorist Heinrich Zille, was to be studied in
a series of coloured drawings.
Etching occupied an important part in the
exhibition, so that the victorious advance of this
fascinating branch of art became evident. Paul
Paeschke, a pupil of the Berlin Academy, was
strongly remarked for his capability of grasping
the bustle of Berlin suburban life and atmo-
spheric unrest, in a clever combination of etching
and dry point occasionally accentuated with
colour. Another new name was Wilhelm Giese
from Magdeburg, whose drawings and etchings
of wharves, rivers, harbours, markets, and herds,
vouched for an artist of high reliability and
old woman in the pew " (etching) . ' . . . . , ,. ,
by wilhelm giese pictorial qualities. As an etcher he discards
all auxiliary arts and revels in the precision
aim, and art-lovers and art-collectors had every of the bitten line. Also Karl Hausel, Ernst
reason to feel grateful for the Herculean la- Gabler and Hermine Lionette David introduced
bour of sifting about a
thousand exhibits from
the large mass of works
sent in. The jury ad-
ministered its office
without dogmatism of
any kind.
Drawings formed the
salient feature of the
exhibition and disclosed
a great diversity of me-
thod and mood. There
were gifts of mature
masters like Richard
Miiller and Otto Greiner,
whose hands accomplish
so perfectly what they
wish to' render. M.
Brandenburg, the seer
of the unseen, succeeded
in representing the race
of passions by a tem-
pestuous inspiration;
and sensational motifs
from war and criminal "the skating pond" (wood engraving) by Walter klemm
242