Studio: international art (60.1914)

Studio-Talk

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, HONORJS/CAVSA ,

hoc ipo die fributf toque fecbw vmfafem publkus-

DOCTOR' DIPLOMA (UNFINISHED). WRITTEN AND ILLUMINATED BY HUGO MEYER
(Exhibition of Lettering, South London Art Gallery)

Institute, while a no less
interesting group of
printed books came from
Germany and Austria
and represented some of
the best work now being
done in the province of
Buchkunst, of particular
note being the produc-
tions ofvariouspublishing
houses and type-foun-
dries which have availed
themselves of the services
of prominent artists for
the designing of type and
book decorations. In
connection with these
German exhibits it was
interesting to note the
increasing use of roman
type, the superiority of
which, and more par-
ticularly the “lower-
case” forms, for the

Arts and Crafts, took a
leading part, was to show
examples of good lettering
rightly used, and if excep-
tion might be taken to
certain of the exhibits, as
not answering to this con-
dition, the aim of the pro-
moters was realised in the
bulk of the five hundred
odd items gathered to-
gether from many sources.
Numerous examples of
written texts, both with
and without the addition
of illumination or other
decorative devices were
shown, but in conformity
with the object the
organisers had in view a
large proportion of the ex-
hibits consisted of early
and modern printed books,
title-pages and other ex-
amples of general printing,
an important contingent
of these being lent for the
occasion by the governors
of the St. Bride Foundation

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Und.du? mir undankbarecat;-: .fTPliXPl'IV.Ihti'U-l Tucj-st voir, Kruncsstanxm- h,»

Vcn Abst duQU.ch imPrkstcrrat. v nDniXv 1X L'lvn uiJN uxsKcii f\ir.xlkQ'at5dicaV i* r.4

THE “ IMPROPERIA ” (REPROACHES). LATIN AND GERMAN TEXT WRITTEN IN
^BLACK, RED AND GOLD BY F. ALBERS, DUSSELDORF ; WOODCUT BY SAME
(Exhibition of Lettering, South London Art Gallery)

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