Studio: international art (60.1914)

Studio-Talk

s<Tp.Si{o.^Pi>

1^y<e;pxx>o

id one clear call forme!
.nA may there be no
modtiiuo,' of the ban,
<JXWnXput out to sea

>txt such a fide as moving,"
seems asleep,
<0>oo ball -For strand or foam.
iSXhe n tJxat which drew from
out die boundless deep
O cirns udjain. borne.

sr>€

«UL10S>0
fliwffveif
jtl*0 sifj.L

ml aftcrtli.it tin. lilt'll.'

.flfca mayfkere bento sadness
of farewell
iClhen X embark;

TENNYSON S ‘CROSSING THE BAR. WRITTEN AND ILLUMINATED BY LOTTIE

BRAXTON HICKS

(Exhibition of Lettering, South London Art Gallery)

general purposes of life was demonstrated beyond
question by the exhibition as a whole. A few
examples of Greek typography were included, but
we observed no specimens
of printing from Russia
and other Slav countries
where the Cyrillic alphabet
or a modification of it is
in use, though here, too, a
movement has been on
foot during recent years
for effecting a much
needed improvement
Lettering plays such an
immense part in our lives
that one cannot but hope
that this exhibition at the
South London Art Gallery
—said to be the first of
the kind ever held in Great
Britain—will be followed
by others in due course.

the open air, and it is the
Malvern country that has
provided him with the
subjects of most of his
important pictures. This
constant work direct with
Nature, although serving
to accumulate a wealth
of accurate observation,
would have tended, per-
haps, to the prejudice of
the best artistic results
had it not been for a
corrective coming from
the contemporary school
of decorative landscape
work. It is, perhaps, to
the personal and artistic
influence of the late Sir
Alfred East that one
may trace the more con-
sciously decorative feel-
ing that has marked
much of his later -work,
and the eight years he
spent at the Worcester Royal Porcelain Works as
decorative artist, after leaving school, may also
count for something in this direction. In 1895-6

, or the from out this bourne
, of O u nc and5?lace
One flood may boar me far
IX hope to gee myX?ilotr face
' to face

fOlie nlX.ba.ve crossed the ban


, THOU HAST
LBEENOUR.
ORETUGEl
TROMGNE
GENERATION

Of TO ANOTHER.

un tains u»crc brotu^ht -
the earth and the usoridl

Before tin
forth, or cvc
lucre made: thou art God from ever"*
Lasting, and tuorld tiatfux.it end.
~]houu tumrst man to dcsti aiction: a*
^ain thou sat jest. Come ,t|c child

renof men.

para thousand t|Cin5 in thi^ light art
but its t|C5t'crd:tL|: seeing that is pajftas
x match in the nitw it .

Ap soon as thou scattcrest thrmtfiaj'-’
arc- even as a steep; and lade aiuatp""

luddcnb-f like thc^rxss.
n tiie morning U isgi'xc.
ethnp: h

Ps.Ur

rui

grouj'

?'■

dou»n. d He ci up.ai id 1

\Hc

rcLup

np it Ls cut
lathered .

par me consume atuu| in ihijdisplct-s-
u.rc: and arc afraid at thij cunithful.
iiidtgiaation

hast set our n usd eeds beforr
thee; and our'secret sins in the Light
ofthij countenance
pm- when tfiou art ir^n|.
are. gone: toe briny, curtjevrs to,nr
end,-is it mere a t.ile that is loLd .
’]hc dat|S cdoiir.ua- are threescore
tptrs and terv; and though men be
so strong that then come to fourscore
pens: ejet is ihrirstmagtft tl ien but
laboiir and sorrow; so soon passetfa
it aco.U |. atid u *e a reasonc,

But u»ho re^uafeth the power of thij
cnath; for even thermfter as x man
fc'ircth . so is tin 1 displenstirc.

teach us to -number our dai|rthii

Mr. Harry W. Adams,
R.B.A., ‘t.belongs to the
“ open air ” school in more
than the technical sense.
For almost twenty years
he has practically lived in

PSALM XC. WRITTEN BY MABEL SMITH, GILDED BY GRAILY HEWITT,
ILLUMINATED BY LOUISE LESSORE
(Exhibition of Lettering, South Lotidon Art Gallery)

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