DOI Seite / Zitierlink:
https://doi.org/10.11588/diglit.19987#0018
Section D.
ELECTRIC LIGHT FITTINGS & IRONWORK
Faraday
<& son
Electric (&L Acetylene
Fittings
2, 3 & 4 BERNERS ST.,
LONDON W
THE STUDIO
“ THE STUDIO” HAS THE LARGEST CIRCULATION IN THE
WORLD OF ANY MAGAZINE DEVOTED TO THE ARTS.
Emm
Some Press Opinions
“No art magazine equals The Studio.” Yorkshire Post.
“ The most artistic of all the art magazines.” Huddersfield Examiner.
“The Studio easily takes first place among art magazines.” Bombay Gazette.
“The Studio gives the best value obtainable amongst art magazines.”
Liverpool Review.
“ Shows an alertness to the needs of the present-day art lover that no similar
publication in any way approaches.” The Outlook.
“ This Magazine continually surprises its readers by the beauty and apparent
costliness of its pictorial supplements.” Liverpool Courier.
“ No other art periodical can be said to have a policy of the same kind, or to
show such complete consistency in its advocacy of all aestheticism that is intelligent
and progressive.” The Globe.
“THE STUDIO” OFFICES, 44, Leicester Square, London, W.C.
AD. XIV
ELECTRIC LIGHT FITTINGS & IRONWORK
Faraday
<& son
Electric (&L Acetylene
Fittings
2, 3 & 4 BERNERS ST.,
LONDON W
THE STUDIO
“ THE STUDIO” HAS THE LARGEST CIRCULATION IN THE
WORLD OF ANY MAGAZINE DEVOTED TO THE ARTS.
Emm
Some Press Opinions
“No art magazine equals The Studio.” Yorkshire Post.
“ The most artistic of all the art magazines.” Huddersfield Examiner.
“The Studio easily takes first place among art magazines.” Bombay Gazette.
“The Studio gives the best value obtainable amongst art magazines.”
Liverpool Review.
“ Shows an alertness to the needs of the present-day art lover that no similar
publication in any way approaches.” The Outlook.
“ This Magazine continually surprises its readers by the beauty and apparent
costliness of its pictorial supplements.” Liverpool Courier.
“ No other art periodical can be said to have a policy of the same kind, or to
show such complete consistency in its advocacy of all aestheticism that is intelligent
and progressive.” The Globe.
“THE STUDIO” OFFICES, 44, Leicester Square, London, W.C.
AD. XIV